[8] J.J. Abrams hands the reigns to director Justin Lin (director of several Fast and Furious movies), working from a script co-written by Scotty (Simon Pegg). The result? A damn solid entry in the Star Trek franchise, possibly the best of the three newest films. The plot involves your standard new bad guy (Idris Elba) trying to get his hands on a big, nasty weapon …
[6] This isn’t a reboot — it’s damn near a paint-by-numbers remake of the 1984 original. But for a remake, it’s not too bad — thanks primarily to the all-female ensemble. While none of the women have a chance to truly soar with the material, they create a camaraderie that pulls the film together. Kristen Wiig and Melissa McCarthy are the more level-headed of the foursome, while Kate …
[6] Blake Lively stars in this claustrophobic thriller about a woman trapped by a great white shark in a shallow ocean cove. Director Jaume Collet-Serra (Orphan, House of Wax) captures the beauty of the Australian surroundings (passing for Mexico in the movie) and gives us some cool surfboarding footage before the shark fin disrupts the peace. The Shallows is at its best when Collet-Serra is winding …
[5] Two loser brothers are forced by their parents to bring dates to their sister’s wedding. Zac Efron and Adam Devine (mini-Jack Black) play the losers, channeling goofy male leads from every romantic comedy you ever saw. Anna Kendrick and Aubrey Plaza are more interesting as their crude-n-rude chosen companions. Neighbors screenwriters Brendan O’Brien and Andrew Jay Cohen can’t avoid all the pitfalls of narrative rom-coms. We …
[7] Fans of Drive and Only God Forgives director Nicolas Winding Refn should find his latest effort beautiful and interesting. Outsiders may find it frustrating. Elle Fanning headlines a strong cast, playing an underage model trying to make it big in Los Angeles. She sorta has a boyfriend (Karl Glusman from Gaspar Noe’s Love), and may be attracting same-sex adoration from a makeup artist (a wonderful Jena Malone) …
[4] The first Independence Day is one of those films that strikes just the right tone, something between earnest and goofy-as-hell, genuinely terrifying and gloriously indulgent. It was like the best possible kind of Irwin Allen disaster movie, where the spectacle was off-set by a charming ensemble of personalities and attitude was an acceptable replacement for character development. In all these regards, the sequel fails to …
[8] Bryan Singer returns to helm his fourth film in the X-Men series, and he hits another home run. This one picks up some number of years after the events of Days of Future Past, as an ancient all-powerful baddie named Apocalypse (played by Oscar Isaac, Poe from Star Wars: The Force Awakens) is accidentally resurrected in Egypt. To be honest, I don’t care for …
[7] It’s the third Captain America movie, but since most of the Avengers cast is reunited, it feels more like Avengers 3. Not that it matters — these movies all start to feel the same anyway. I like how this one starts, dealing with the aftermath of all the cataclysmic damage the Avengers team has accidentally caused in various countries while battling all their supernatural …
[7] After witnessing a murder, a punk band gets trapped by skinheads at a rural dive bar in this survival/revenge tale from writer/director Jeremy Saulnier (Blue Ruin). Anton Yelchin (from the Star Trek and Fright Night remakes) and Imogen Poots play two of the band members, and Patrick Stewart lends gravitas as the white supremacist club owner. Stewart is icy-cool and effective here, a much …
[6] Matt Reeves, the director of Cloverfield, makes the second stab at John Ajvide Lindqvist’s novel about a twelve-year-old boy who unwittingly befriends a vampire girl. (A Swedish film version, Let the Right One In, was released in 2008.) The remake bends the material more toward an American sensibility, and as a result the American version is of course faster-paced, less nuanced, and far less …
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