[6] Leslie Mann and Paul Rudd star as two 40-year-olds struggling to balance the demands of their marriage, children, parents, and jobs. This Is 40 is billed as a ‘sort of’ sequel to Knocked Up, where Mann and Rudd originated the roles. Both films were directed by Judd Apatow, and both take a more pastiche approach to their narratives. On one hand, I like the …
[4] While it’s technically a prequel, this new Thing is a lot like the old Thing, but pales by comparison in every conceivable way. The characters are less engaging, the atmosphere is less palpable, the tension is lacking, and the ground-breaking practical effects of the 1982 version are replaced with some pretty cheezy-looking CGI. The film also eschews the all-male ensemble for the hackneyed ‘lone …
[6] Director Marc Webb (500 Days of Summer) takes on the web-slinging superhero in this hasty reboot of the franchise (just five years after Sam Raimi finished his trilogy). Andrew Garfield (The Social Network, Never Let Me Go) stars as Peter Parker, a high schooler who gets bitten by a radioactive spider and… you know the rest. The approach here is more realistic than Raimi’s, …
[5] Writer/director Neill Blomkamp (District 9) serves up a blunt class struggle allegory set in a future where the filthy rich live on Elysium, a nice orbiting space station, while the rest of us live on the wastelands of planet Earth. Matt Damon stars as the working-class hero who risks it all to break into the floating utopia where he can cure himself and a …
[6] The Conjuring, written by twin brothers Chad and Carey Hayes and directed by James Wan (Dead Silence, Saw), is an old-fashioned haunted house story that morphs into one of demonic possession. After some clunky exposition, the first half of the film is a solid tension-filled spook fest. Lili Taylor and Ron Livingston play parents of four young girls who unwittingly move their family into an …
[7] Grieving the loss of his daughter, a surgeon kidnaps and surgically alters a young man to take her place. Yeah, Victim is creepy and kinky, charging into some subject matter that is sure to make many viewers cringe. The forced transformation from male to female is probably one of the most provocative, original ideas I’ve seen a horror film tackle in the last several …
[5] This ultra-gitchy flick is probably unlike anything you’ve ever seen before, and that’s normally cause for celebration. But if you’re not into playing video games (like me), the film’s rapid pacing and excessively kinetic style may just leave you plain bewildered. On the other hand, the narrative is so simple that without the quick rhythm and psychedelic interludes, the film wouldn’t be very interesting. …
[4] Director Chris Columbus hacks his own Harry Potter films with this knockoff that substitutes wizards with Greek Gods, Quidditch with swordplay, and Hogwarts for a corny renaissance festival in the woods. Young star Logan Lerman, the illegitimate son of Justin Bieber and Zac Efron, strikes a nice pose but lacks charisma. The only actors who leave an impression are Brandon T. Jackson as Percy’s …
[8] Pacific Rim is good, dumb summer fun. It’s beautiful, sexy, exciting, funny, and it kinda made me feel like a kid again. The premise involves Kaiju and Jägers… scratch that. Let’s call it like it is: this movie is about big fucking robots fighting big fucking monsters. The monsters come from another dimension, entering our world from the bottom of the Pacific Ocean. The robots, …
[6] Peter Jackson’s Lord of the Rings films are among my very favorites of all time, so The Hobbit is doomed to suffer in comparison. If you’re not a devoted fan of Middle Earth, the first half of An Unexpected Journey will probably feel a bit cumbersome. Jackson should have trimmed 20 or 30 minutes (starting with the oddly wooden cameo performances from Ian Holm …
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