[3] Chris Evans and Dakota Fanning star as supernaturally gifted people on the run from a government agency that wants to control their powers. Think X-Men, but way watered down and not nearly as cool. There’s some mediocre action in the beginning and a little more at the end, but the long middle portion of this movie is tediously boring, overburdened with more plotting and …
[4] Sean Connery returns for his final outing as James Bond in Never Say Never Again, a remake of Thunderball and the only Bond film not produced by Cubbi Broccoli’s EON Productions. Since it’s an “unofficial” entry in the franchise, you won’t hear Monty Norman’s famous theme music anywhere, nor will you see another snazzy title sequence from Maurice Binder. And who are these strange …
[5] Licence to Kill is the anti-Bond. Timothy Dalton is out for revenge in this one (his second and final outing in the role), and the performance is desperately missing the character’s trademark nonchalance. Without it, it just isn’t Bond. It’s one of a number of generic 80s action flicks fueled by revenge, centered around the drug trade, full of explosions, and scored by Michael Kamen …
[8] Matt Reeves (Cloverfield, Let Me In) directs his second installment of the prequel trilogy to the famous sci-fi franchise. War isn’t as epic and enthralling as the spectacular Dawn of the Planet of the Apes, but it’s still a damn fine conclusion to the story of Caesar (Andy Serkis). It’s also kinda neat to see how it dovetails into the original film series. The plot is stripped …
[7] Hey, it’s another Spider-Man movie! Before I’ve even finished processing the previous two incarnations of the franchise. Tom Holland takes over the title role after making an appearance as Spidey in Captain America: Civil War. The best thing about this new Spider-Man is Tom Holland. He’s by far the most immature and effervescent Peter Parker/Spider-Man we’ve seen, and I really enjoyed watching his youthful …
[8] I was not looking forward to Baby Driver, because I haven’t especially cared for any other Edgar Wright movie I’ve ever seen. (Watching Scott Pilgrim in the theatre with a full house was actually one of the most depressing movie-going experiences of my life.) Fortunately, I would never have known Baby Driver is an Edgar Wright movie unless you told me. Because unlike Shaun …
[8] Director Kevin Reynolds (Waterworld, Robin Hood Prince of Thieves) delivers his best effort to date with this telling of Alexandre Dumas’ The Count of Monte Cristo. Jim Caviezel stars as Edmond Dantes, a man betrayed by his friend Fernand Mondego (Guy Pierce) and falsely imprisoned for thirteen years in a hellish prison. Richard Harris plays the elderly priest who accidentally burrows his way into …
[6] Jean-Luc Godard once said, “All you need for a movie is a girl and a gun.” Watching Helen Mirren seize comand of a blazing Gatling gun, I think Godard may be onto something. RED isn’t terribly original or surprising, but its venerable cast rescues it from mediocrity. Bruce Willis, Morgan Freeman, John Malkovich, and Mirren play retired CIA agents who return to their old habits …
[7] Mark Wahlberg and Kurt Russell headline this true story about the largest oil drilling disaster in American history. Deepwater Horizon is essentially a disaster movie in the grand tradition of that subgenre, but director Peter Berg is sensitive to the fact that 11 men lost their lives in the 2010 tragedy and that crude oil flooded the Gulf of Mexico as a result. BP Oil …
[8] After many failed attempts (here, here, and here) to compete with Marvel by launching their own ‘expanded universe’, DC has finally pulled their shit together. Wonder Woman works. It works as an origin story for the character, it works as a summer blockbuster, and most importantly, it works as an emotionally engaging piece of storytelling. The story begins on Wonder Woman’s home island, one …
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