[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[4] I knew I would eventually have to watch this 3-hour 20-minute behemoth and thank goodness it’s over. Doctor Zhivago is a sprawling epic about the Russian Revolution as seen through the eyes of a doctor (Omar Sharif) who wants to have his cake (his wife is played by Geraldine Chaplin) and eat it, too (his mistress is played by Julie Christie). The first half …
[5] SPOILER REVIEW I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American …
[7] Van Johnson and Ricardo Montalban are among the men holed up under snow and fog in William Wellman’s (Wings) depiction of the Battle of the Bulge. Unlike most other war films of the time, Battleground is more of a character study than an action film, tracing the remarkable spirit of the men who endured the long siege. The acting is good all around, and …
[8] Fans of Ridley Scott’s Gladiator might be surprised how much they will also enjoy (perhaps even prefer) its progenitor. Stanley Kubrick’s Spartacus is a briskly-paced epic, and uncharacteristically emotional compared to his other work. Kirk Douglas is iconic in the lead role, playing a slave forced to fight in the gladiatorial arena for the enjoyment of the aristocracy. Of course he falls in love …
[7] Steve McQueen and Paul Newman help rescue people trapped in a flaming highrise in Irwin Allen’s disaster opus, The Towering Inferno. It is what it is — we all at one time or another want to watch disaster unfold and this movie gives it to you. The script cuts to the action fairly quickly, and builds upon it nicely. Many people say the flames …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[10] Director Paul Thomas Anderson (Boogie Nights, Magnolia) serves up a masterful study of two ambitious men — a turn-of-the-century oil prospector driven by capitalism and a young preacher eager to grow his flock. The two men come to conflict on occasion, with the prospector’s young son often caught in the middle. But as times of prosperity drift closer to the Great Depression, the prospector …
[9] Guillermo del Toro’s fantasy masterpiece is a volatile blend of whimsy and horror that dares to explore the depths of human evil through the eyes of an innocent child. The film is brutal, heartbreaking, and gorgeous. Del Toro’s unique style is on full display here, in the conceptual design, the fluid camera work, and in the delicate performances. Young Ivana Baquero gives a solid …
[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes’ mammoth, three-year-long production of the aerial battle movie Hell’s Angels and his budding romance with Katharine Hepburn (Cate Blanchett). He makes considerable advances in the field of aviation and challenges the movie …
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