[7] Drew Barrymore stars as a teen in the ’60s whose dreams of going to college and getting published are squashed by unexpected motherhood. Riding in Cars with Boys is a comedy/drama based on a true story that spans a few decades, seeing Barrymore’s character through a reluctant marriage, cold and everlasting disappointment from her father, and struggles with her drug-addicted husband. The big question is …
[7] This isn’t the romanticized WWII of modern cinema, it’s probably closer to the real thing. The Story of G.I. Joe is based on print journalist Ernie Pyle’s interviews with soldiers in the field. Pyle was in the foxholes with them, and he was in it for the long haul. His newspaper column became the public’s window into life on the battlefield. William Wellman’s (The …
[7] Colin Firth plays the stuttering King George VI, who never wanted to be king for fear of his speech impediment bringing shame to him and his family. The King’s Speech focuses on the antagonistic relationship between the king and his therapist, Lionel Logue, played by Geoffrey Rush, and culminates in a live radio speech the King gives on the eve of Britain’s declaration of …
[6] Judi Dench and Jim Broadbent star in this true but tragic love story about lovers of 40 years who are torn apart by Alzheimer’s Disease. Dench is portraying novelist Iris Murdoch, a lover of language who begins losing her ability to communicate, becoming more and more lost in her own inner world. Broadbent plays her devoted husband, desperately trying to understand her and keep …
[7] Russell Crowe and Jennifer Connelly are at the top of their game in A Beautiful Mind, Ron Howard’s Oscar-winning biopic about John Nash, the brilliant but haunted mathematician who overcame schizophrenia and received the Nobel Prize. These are the best performances I’ve seen from Crowe and Connelly — their relationship is the glue that holds the film together. The first two-thirds of the movie …
[8] A movie about corporate betrayal and litigation is normally not my idea of a good time, but The Social Network turns out to be a well-made, voyeuristic look back at the birth of a now-ubiquitous product that many users can’t live without. In fact, you wouldn’t be reading this review without it. Screenwriter Aaron Sorkin (The West Wing) is a shoe-in come Oscar time …
[7] Paul Newman and Robert Redford star in this influential, genre-bending Western about two outlaws who hole up in Bolivia to hide from a pursuing ‘superposse.’ William Goldman’s celebrated screenplay would become the progenitor of countless buddy films for decades to come. Paul Newman has referred to the film as “a love story between two men.” What’s remarkable is that the camaraderie between the two …
[7] Mommie Dearest is something else. I can’t tell if it’s trying to be an earnest expose on the turbulent home life of legendary star Joan Crawford and her adopted daughter, Christina, or if the dark comedy and camp value were intentional. The film is based on Christina’s tell-all book, so we really only get the nastiest parts of the story — how Joan locked her daughter …
[7] Nicole Kidman and Robert Downey Jr. star in this odd hybrid of biopic and fable that mixes elements from the lives of photographer Diane Arbus and a hirsute freakshow performer named Lionel. Kidman plays Arbus, a woman who in the 1950s had yet to come out of her shell and discover her gifts. When a mysterious new neighbor moves in upstairs, she’s drawn to him …
[8] Just when I thought good old fashioned escapist adventure storytelling was dead, along comes The Lost City of Z. This movie renewed my faith in movies. I was beginning to think I’d seen the end of grand, romantic films like those directed by Peter Weir or David Lean, but James Gray (The Yards, We Own the Night) picks up the mantle and delivers a film …
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