[6] Oliver Stone’s epic bio of the Macedonian military legend, like so many pet projects, is a glorious mess of a movie. The screenplay goes back and forth in time, mixing scenes of Alexander’s youth with scenes of his conquests. The result is jarring, never allowing you to get to know the character in any time. The narrative also relies far too much on Anthony …
[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes’ mammoth, three-year-long production of the aerial battle movie Hell’s Angels and his budding romance with Katharine Hepburn (Cate Blanchett). He makes considerable advances in the field of aviation and challenges the movie …
[8] I’ve loved James Dean ever since my high school art teacher showed me East of Eden and Rebel Without a Cause, which prompted me to write a senior essay on the famous actor’s life and work. So I’m coming to Mark Rydell’s made-for-cable biopic with some healthy scrutiny and high expectations. The film may be a little too brief in its overview to satisfy …
[9] Ian McKellen gives his most moving film performance to date as James Whale, director of the original Frankenstein, Bride of Frankenstein, The Invisible Man, and many other Golden Age titles. Bill Condon directs and adapts from a novel by Christopher Bram that focuses on the end of Whale’s life, as he’s haunted by the memory of a friend who died in the trenches and …
[10] I doubt Tim Burton will ever make a finer film. Armed with a powerhouse screenplay by Scott Alexander and Larry Karaszewski (The People vs Larry Flynt), Burton turns the biography of Hollywood’s most infamously bad director into a poignant and hilarious film about never giving up… no matter how much you might suck. The film is admittedly white-washed, concentrating and embellishing upon Ed Wood’s …
[10] Straight biographies rarely make great film, but by filtering the subject through another man’s envy, director Milos Forman (One Flew Over the Cuckoo’s Nest) delivers one of the best bio-films I’ve ever seen. This isn’t a film about a composer and his music (how boring would that be?) — it’s a film about an insanely jealous contemporary named Salieri. Salieri, played brilliantly by F. …
[8] Spencer Tracy won his second (consecutive) Academy Award for his portrayal of Father Flanagan, a man who firmly believed “there are no bad boys.” In the movie and in real life, Flanagan built an educational refuge for homeless and delinquent boys to prove his theory, and the facility still operates today. Mickey Rooney plays the toughest of Flanagan’s kids, a boy whose defiance and …
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