[4] The old fraternity house next door to Seth Rogen and Rose Byrne has moved away… but now there’s a sorority there — and the girls are even worse than the boys were. Rogen and Byrne seek out their old fraternity nemesis, Zac Efron, to help them banish the boozie babes. I enjoyed the first Neighbors because it gave Rogen, Byrne, Dave Franco, and surprisingly, Efron, …
[5] Dustin Hoffman directs this tepid comedy/drama based on Ronald Harwood’s play about geriatrics putting on a concert at a home for retired muscians. Maggie Smith stars as the facility’s newest resident. She’s nervous about seeing an old flame (Tom Courtenay) and former compadres (Billy Connolly and Pauline Collins), all of whom try to coax her out of retirement to sing once more at the concert. …
[4] Jesse Eisenberg, Woody Harrelson, Mark Ruffalo, Dave Franco, Morgan Freeman, and Michael Caine all return for another game of magicians playing cat and mouse. (Isla Fisher is noticeably replaced with a new character played by Lizzy Caplan.) I enjoyed the first Now You See Me, and I like the entire cast for both movies. But sometimes that’s just not enough. The sequel tries to add …
[3] And if you look out your window at the Isle of Misfit Movies, you might catch a glimpse of The Boss, an alleged comedy from 2016 starring Melissa McCarthy, Kristen Bell, and Peter Dinklage. McCarthy stars as a crude version of Martha Stewart, a ‘better living guru’ who gets tossed in the slammer for insider trading. When she gets out of the big top, …
[4] David Mickey Evans, the director of Radio Flyer and The Sandlot turns in a teen sex comedy that reeks of ’90s made-for-cable or direct-to-video. Three high school dudes decide they can make a lot of money by filming a porno without their school or their parents finding out, and without getting murdered by a rival team of professional pornographers. Whackiness ensues. What Barely Legal …
[8] Hailee Steinfeld (Oscar nominee for the Coen Brothers’ True Grit remake) stars as a high school girl on the edge of a nervous breakdown when she discovers her best and only friend has begun dating her brother. Writer/director Kelly Fremon Craig beautifully captures the isolation, anxiety, desperation, and pervasive helplessness of adolescence here, and without letting the film get too dark and dreary. Supporting player …
[8] Writer Alan Ormsby and director Tony Bill create a compelling coming-of-age story that avoids two of the greatest pitfalls of the genre: it doesn’t talk down to its subjects and it doesn’t wallow in sentimentality. Chris Makepeace and Adam Baldwin give fine performances as the ‘new kid’ and the ‘mysterious loaner,’ respectively. Their unlikely friendship develops believably and becomes the heart of the movie. …
[6] Intentionally bizarre and overwrought, I’m not sure what to make of this adaptation of John Irving’s novel about an extended, eccentric family that moves into a down-trodden hotel. I liked a previous Irving adaptation, The World According to Garp, much better. Garp director George Roy Hill was better able to balance the humor and sorrow than Hotel director Tony Richardson. Richardson leans so much …
[7] John Goodman stars as a schlock filmmaker previewing his latest atomic horror flick during the height of the Cuban Missile Crisis. The script by Charlie Haas draws clunky parallels between the real life threat of nuclear destruction and the crass aims of exploitation filmmakers. I love exploitation horror, but trying to make out like it’s doing humanity a favor is a bit of a …
[4] Richard Linklater writes and directs Everybody Wants Some!! as sort of a follow-up to his own Dazed and Confused. It’s the early ’80s and a group of college baseball players live together in a couple of houses off-campus. The movie has absolutely no over-arching narrative. The guys just party and hang out, practice their ball, and try to pick up chicks. It’s just a …
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