[4] David Mickey Evans, the director of Radio Flyer and The Sandlot turns in a teen sex comedy that reeks of ’90s made-for-cable or direct-to-video. Three high school dudes decide they can make a lot of money by filming a porno without their school or their parents finding out, and without getting murdered by a rival team of professional pornographers. Whackiness ensues. What Barely Legal …
[8] Hailee Steinfeld (Oscar nominee for the Coen Brothers’ True Grit remake) stars as a high school girl on the edge of a nervous breakdown when she discovers her best and only friend has begun dating her brother. Writer/director Kelly Fremon Craig beautifully captures the isolation, anxiety, desperation, and pervasive helplessness of adolescence here, and without letting the film get too dark and dreary. Supporting player …
[8] Writer Alan Ormsby and director Tony Bill create a compelling coming-of-age story that avoids two of the greatest pitfalls of the genre: it doesn’t talk down to its subjects and it doesn’t wallow in sentimentality. Chris Makepeace and Adam Baldwin give fine performances as the ‘new kid’ and the ‘mysterious loaner,’ respectively. Their unlikely friendship develops believably and becomes the heart of the movie. …
[6] Intentionally bizarre and overwrought, I’m not sure what to make of this adaptation of John Irving’s novel about an extended, eccentric family that moves into a down-trodden hotel. I liked a previous Irving adaptation, The World According to Garp, much better. Garp director George Roy Hill was better able to balance the humor and sorrow than Hotel director Tony Richardson. Richardson leans so much …
[7] John Goodman stars as a schlock filmmaker previewing his latest atomic horror flick during the height of the Cuban Missile Crisis. The script by Charlie Haas draws clunky parallels between the real life threat of nuclear destruction and the crass aims of exploitation filmmakers. I love exploitation horror, but trying to make out like it’s doing humanity a favor is a bit of a …
[4] Richard Linklater writes and directs Everybody Wants Some!! as sort of a follow-up to his own Dazed and Confused. It’s the early ’80s and a group of college baseball players live together in a couple of houses off-campus. The movie has absolutely no over-arching narrative. The guys just party and hang out, practice their ball, and try to pick up chicks. It’s just a …
[4] The Coen Brothers run hot and cold with me. Sometimes I get them, sometimes I don’t. This is one of the times that I don’t, and I can only figure it’s because the comedy is too subdued and the point is too on the nose. Michael Stuhlbarg stars as a man whose claustrophobic suburban life is unraveling. His wife has decided to divorce him …
[7] After success with House of Usher, The Pit and the Pendulum, and Tales of Terror, Roger Corman further exploited Edgar Allan Poe’s name with The Raven. But this time, the film bears little resemblance to Poe’s story. Instead, legendary sci-fi scribe Richard Matheson wrote a fairly engaging comedic tale about three dueling wizards. Vincent Price plays the first wizard, mourning over the death of his …
[6] My main takeaway from The Banger Sisters is this: Damn, Goldie Hawn is awesome. She shares the top billing with Susan Sarandon here, but it’s really Goldie’s movie, and she carries it superbly. The film is about old friends reuniting and overcoming their differences after decades apart. Hawn plays the one who hasn’t changed much from their old Bohemian ways, while Sarandon plays the one …
[7] Russell Crowe and Ryan Gosling star as private detectives who team up to solve the mystery of a missing porn star in this comedy/action/buddy flick from writer/director Shane Black (Lethal Weapon, Kiss Kiss Bang Bang). Black does a terrific job showcasing the characters in a twisty-turny plot that could easily have bogged things down. Crowe and Gosling have enough charisma and chemistry to make me …
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