[6] John Wayne leads an ensemble cast in this William Wellman film about the passengers and crew of a trans-Pacific flight who experience engine failure and a loss of fuel. When they realize they won’t reach the California shore, everyone prepares for the worst. The High and the Mighty plays more like a straight drama than the disaster flicks that would come after it in the 1970s. …
[8] Tom Hanks stars as celebrated pilot Chesley Sullenberger, who safely landed his U.S. Airways passenger plane on the Hudson River after the unprecedented scenario of losing both engines to bird-strike shortly after take-off. Director Clint Eastwood lets this true story unfold with the greatest of ease. Nothing is sensationalized — all the emotions Sully evokes are earnest and sincere. I found it a very uplifting …
[7] In 1880’s Nevada, news spreads of the murder of a local cattle farmer, inciting a few dozen townspeople to form a posse hellbent on lynching those responsible for the crime. Based on the book by Walter Van Tilburg Clark and directed by the always-thoughtful William Wellman (Wings, Battleground), The Ox-Bow Incident is a relatively simple, straight-forward meditation on mob mentality and vigilante justice. When …
[3] Remember the Robert Altman movie The Player? At the end of that movie, they mock the typical Hollywood movie by showing the end of a cheesy movie in which Julia Roberts is sentenced to death in the gas chamber, only to be rescued by Bruce Willis at the very last possible second. Bruce shoots his way into the gas chamber and carries Julia out in his …
[7] Deep Impact feels like an old-fashioned Irwin Allen disaster flick — and I dig that. Basically, the world learns that an asteroid is headed toward earth and we have one year before we can attempt to destroy it with a NASA space mission. So the mid-point of the film focuses on that mission, and — spoilers ahead! — it doesn’t go well. So Deep Impact …
[5] Director David Mackenzie (Hell or High Water) adapts Alexander Trocchi’s novel about a Scottish drifter (Ewan McGregor) who falls in with a family living and working on a river barge, all while hiding what he knows about an alleged murder being publicized in the local papers. Mackenzie captures a suitably dreary tone for the movie, but it’s a challenging story to get into. McGregor’s …
[7] Craig Sheffer (Nightbreed) seeks the help of a controversial sex therapist (Terence Stamp) to help him bring his wife (Twin Peaks‘ Sheryl Lee) to orgasm. Bliss is like The Karate Kid for a little while, with Stamp playing the Mr. Miyagi role, teaching Sheffer about the ways of sex, bliss, and ecstasy. But once orgasm is achieved, we learn that the cause of Lee’s …
[6] Writer/director Jeff Nichols (Take Shelter, Mud) serves up a supernatural drama about a father (Michael Shannon) trying to smuggle his son cross-country while avoiding both the government and the religious cult from which they escaped. Turns out the boy is gifted with strange powers that continue revealing themselves throughout the film. Is he an alien? Is it a government conspiracy? Nichols is hoping you’ll …
[7] Nicolas Cage stars in his most interesting movie in many years. He plays an ex-con in an impoverished Southern community who becomes an unlikely role model for a 15-year old boy (Mud‘s Tye Sheridan) who is dealing with an increasingly abusive, alcoholic father (Gary Poulter). Cage and Sheridan are top-notch, and Garry Hawkins’ screenplay, based on Larry Brown’s novel, never stoops to sentimentality. Director David …
[6] So, fifteen minutes into The Fountain, you get a bald man sitting in a snow globe talking to a tree while drifting through space. At that point, you either go with writer/director Darren Aronofsky (Pi, Requiem for a Dream), or you shut the movie off to make the pain go away. Fortunately, that initial leap of faith is the hardest. I started to dig …
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