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Best Costume Design

[8] Tension between rival New York City gangs the Jets and the Sharks is wound to a tragic snapping point after one young Jet falls head over heels for the sister of the Sharks’ leader. West Side Story is based on the landmark stage musical featuring music by Leonard Bernstein, lyrics by Stephen Sondheim, and exciting dance choreography by Jerome Robbins, who co-directs this film …

[8] An associate History professor (Richard Burton) and his wife, the university president’s daughter (Elizabeth Taylor), invite a new biology faculty member (George Segal) and his wife (Sandy Dennis) to their house for drinks. But the evening goes hellishly south when the older couple begin airing marital grievances, including the whereabouts of their son on the eve of his sixteenth birthday. By sunrise, nasty games …

[7] F. Scott Fitzgerald’s most required reading is faithfully script-adapted by Francis Ford Coppola, with Jack Clayton directing a production as lavish as required for the story of the uber-wealthy but mysterious Jay Gatsby. We enter into Gatsby’s opulent world through the eyes of Sam Waterston as Nick Carraway. Robert Redford is superbly cast as the reticent but disarming Gatsby, who ends up roping Carraway …

[7] It’s 18th century France and everyone’s the Vavavoom de Floofenberg dressed to the nines and powdered like a doughnut. Yes, Dangerous Liaisons is one of those dreaded costume dramas. But like any good one, if you strip away the gilding and highfalutin language, it’s really a tale as old as time — modern, even. Glenn Close is a horny, devious widow who employs her …

[8] If someone is going to pick up Louisa May Alcott’s much-loved literary classic, dust it off, and serve up a retelling, let it be the Oscar-nominated writer/director of Lady Bird. Greta Gerwig is respectably faithful to the material, but bold in her decision to dice the story up and deliver it in non-linear fashion. In Gerwig’s adaptation, we experience the aftermath of the March …

[3] Elizabeth Taylor plays the powerful and sexy Egyptian queen who fends off Roman conquest while falling in love with its leaders — first Rex Harrison’s Caesar, and then Richard Burton’s Antony. First I’ll be nice to Cleopatra. The sets are sprawling, opulent, and sometime jaw-dropping. Richard Burton gives a powerful, remorseful monologue near the end, and Roddy McDowall gives one of the best performances …

[7] Jennifer Jones and William Holden star as a widowed Eurasian doctor and a married American news correspondent who fall in love despite cultural differences and wartime separations during China’s communist revolution. Love Is a Many-Splendored Thing is one of the quintessential ’50s romance movies. It’s about strangers falling in love in an exotic land, aided as these lovers often are by sandy beaches and …

[6] Somewhere in Africa, there’s a secret society hidden away by fancy technology. They have, like, a really super-strong metal there that the rest of the world wants, but the secret African people know the rest of the world will just destroy itself if it ever gets their metal, so they don’t share it. But then one of their metal weapons is found in a …

[8] A lonely writer falls in love with a singing, dancing courtesan in this bawdy musical that soars on the charms of co-stars Nicole Kidman and Ewan McGregor. The song numbers cannibalize lyrics from love songs over the past century, an approach you’re either going to love or hate. I think the musical sequences are the best part of Moulin Rouge!, whether it’s the Tex …

[4] Near the end of both Singin’ in the Rain and An American in Paris, there is a big, epic dance number that feels very out of place. It’s the only thing I don’t like about Singin’ in the Rain, and the only thing I DO like about An American in Paris. The later film is essentially a superb 20-minute dance number tacked onto an …

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