Best Director

[7] James Stewart plays the son of a Wall Street tycoon whose father (Edward Arnold) is trying to force an eccentric family out of their home so he can pursue a major real estate development deal. Things get more complicated when Stewart realizes the family in question is his fiancée’s (Jean Arthur). You Can’t Take It With You is a quintessential Frank Capra movie, focusing …

[8] Michelle Yeoh (Crouching Tiger Hidden Dragon) plays Evelyn Wang, a laundromat owner taking care of her elderly father (James Hong), quarreling with her daughter (Stephanie Hsu), and teetering on divorce with her husband (Ke Huy Quan). To top things off, she’s being audited by the IRS and stands to lose everything she owns. But while dealing with her auditor (Jamie Lee Curtis), Evelyn discovers …

[8] Just as she did with The Piano nearly thirty years ago, director Jane Campion exposes the tragic consequences of rigid gender conformity in The Power of the Dog. Benedict Cumberbatch stars as a deeply closeted gay cattle rancher in 1925 Montana. When his brother (Jesse Plemons) brings his new bride (Kirsten Dunst) and her effeminate son (Kodi Smit-McPhee) to live with them, Cumberbatch cruelly …

[8] Irene Dunne and Cary Grant star as a couple who file for divorce, then proceed to thwart each other’s attempts to socialize with new partners. Both are too proud to admit they still have feelings for the other until the divorce proceedings have nearly come to a close. Under the direction of Leo McCarey (Make Way for Tomorrow), Dunne and Grant deliver some of …

[8] Tension between rival New York City gangs the Jets and the Sharks is wound to a tragic snapping point after one young Jet falls head over heels for the sister of the Sharks’ leader. West Side Story is based on the landmark stage musical featuring music by Leonard Bernstein, lyrics by Stephen Sondheim, and exciting dance choreography by Jerome Robbins, who co-directs this film …

[7] Gregory Peck stars as a widowed magazine reporter who spends six months pretending to be Jewish while researching for an article about anti-semitism. He’s startled to discover the ways bigotry manifests in his undercover life — openly at ‘restricted’ clubs and secretly in hiring practices, coming from bullies in his son’s schoolyard and even from other Jews who don’t want to draw attention to …

[5] George C. Scott’s charisma is the best thing Patton has going for it. The film is a pastiche of the famous (and infamous) army general’s career through World War II, including his successful invasion of Sicily, media blunders resulting in military reprimand, and his eventual aid in the fall of the Third Reich. The film initially paints Patton as a hard-ass who gets the …

[7] A pair of New York city narcotics cops try to bust a big heroin deal being brokered between suspected mobsters and a French connection. But one of the cops, ‘Popeye’ Doyle (Gene Hackman), has a history of recklessness and threatens to lead his partner (Roy Scheider) down another dangerous rabbit hole in his obsessive pursuit of the drug dealers. Based on a true story …

[6] Maestro Billy Wilder directs Ray Milland as a drunk writer circling the drain in the multi-Oscar-winning The Lost Weekend. Milland’s character is supposed to begin recovery on a long holiday weekend with his brother (Phillip Terry) and gal pal (Jane Wyman), but after he steals money to spend at his favorite bar, he gets drunk and misses their departure time. Things get progressively worse …

[7] Writer/director Joseph L. Mankiewicz (All About Eve, The Ghost and Mrs. Muir) won his first two Academy Awards for writing and directing this drama about three wives who reflect on their marriages when they learn a fourth woman has just left town with one of their husbands. Mankiewicz can always be relied upon for great dialogue and pitch-perfect casting. All six principles (the fourth …

1 2 3 5