[7] Sidney Poitier plays a black Northern detective who reluctantly aides a white Southern sheriff (Rod Steiger) in solving a murder case. The mystery itself is a bit thin, but it’s bolstered by good performances from the leads and a commendable handling of volatile subject matter. (Though the film takes place in Mississippi, the film’s crew decided to shoot no further south than Tennessee for …
[3] A Jew and a Christian compete in the 1924 Olympics, both running in the name of God and adversity. I’m sorry to say I just couldn’t give a shit. I couldn’t empathize with their motivations. They feel God when they run. Good for them. It would at least be nice if the two competed against one another in the third act, but they don’t. …
[6] Clint Eastwood tackles one of the most hackneyed of all movie subgenres, the race-the-clock death row rescue thriller, and breathes at least enough life into it to keep you engaged. Isaiah Washington puts in a good performance as the innocent man sentenced to die. His scenes with his wife (Lisa Gay Hamilton) and daughter are the movie’s best. The cast also features Denis Leary, …
[6] Spencer Tracy and Katharine Hepburn star in a Frank Capra movie about the political and personal tolls of running for president of the United States. Van Johnson and Margaret Hamilton are fun in supporting roles. Angela Lansbury is nice as the cold, calculating antagonist — her first scene is one of the movie’s best.
[7] Gregory Peck plays a prosecutor terrorized by Robert Mitchum, a recently released convict Peck sent to prison eight years ago. Director J. Lee Thompson (Guns of Navarone) takes his cues from Hitchcock and crafts a film that can compete with much of Hitch’s work (it helps to have Bernard Herrmann doing the music.) The censors put just enough of a damper on the film …
[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks’ Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to another time and place. The wildlife, cinematography, and music score (another fine work from John Barry) will whisk you away whether you want whisked or …
[7] Monica Belluci and Vincent Cassel star in Gaspar Noe’s brutally graphic exploration of rape and revenge told in reverse. The subject matter is worth exploring and the narrative device is interesting, especially toward the end, which carries the full weight of the film’s character development. It makes you look back over everything you just saw and reinterpret it. I just wish the camera weren’t …
[6] Dexter‘s Desmond Harrington stars in this competent psycho-sexual horror flick about a guy who confuses reality and fantasy after falling in love with a lifelike sex doll. After gaining a little sexual confidence through his interaction with the doll, he’s able to start a relationship with a real-life woman (Melissa Sagemiller), but when Harrington’s character believes the sex doll is getting jealous, things start …
[7] Director Chris Terrio tackles a New York City slice of life flick that follows five different characters through the course of 24 hours. There’s a pretentiousness about the way in which the characters end up being related, but it’s a great looking film with a remarkable cast that makes it worth while. James Marsden, Elizabeth Banks, and Glenn Close are especially watchable here, playing …
[4] Humphrey Bogart defends a juvenile delinquent (John Derek) in this uneven and heavy-handed flick from director Nicholas Ray. Didn’t care for Derek in this movie, but Bogey makes a nice courtroom stand at the end. The best thing about this movie is that it probably inspired Ray to continue exploring similar themes in his later, greater Rebel Without a Cause. With George Macready.
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