[7] Gregory Peck plays a prosecutor terrorized by Robert Mitchum, a recently released convict Peck sent to prison eight years ago. Director J. Lee Thompson (Guns of Navarone) takes his cues from Hitchcock and crafts a film that can compete with much of Hitch’s work (it helps to have Bernard Herrmann doing the music.) The censors put just enough of a damper on the film …
[7] In colonial Kenya, a Danish baroness has an ongoing affair with a big game hunter. On one hand, Sydney Pollacks’ Oscar-winning best picture is long and subdued. But on the other hand, it does a great job transporting you to another time and place. The wildlife, cinematography, and music score (another fine work from John Barry) will whisk you away whether you want whisked or …
[7] Monica Belluci and Vincent Cassel star in Gaspar Noe’s brutally graphic exploration of rape and revenge told in reverse. The subject matter is worth exploring and the narrative device is interesting, especially toward the end, which carries the full weight of the film’s character development. It makes you look back over everything you just saw and reinterpret it. I just wish the camera weren’t …
[6] Dexter‘s Desmond Harrington stars in this competent psycho-sexual horror flick about a guy who confuses reality and fantasy after falling in love with a lifelike sex doll. After gaining a little sexual confidence through his interaction with the doll, he’s able to start a relationship with a real-life woman (Melissa Sagemiller), but when Harrington’s character believes the sex doll is getting jealous, things start …
[7] Director Chris Terrio tackles a New York City slice of life flick that follows five different characters through the course of 24 hours. There’s a pretentiousness about the way in which the characters end up being related, but it’s a great looking film with a remarkable cast that makes it worth while. James Marsden, Elizabeth Banks, and Glenn Close are especially watchable here, playing …
[4] Humphrey Bogart defends a juvenile delinquent (John Derek) in this uneven and heavy-handed flick from director Nicholas Ray. Didn’t care for Derek in this movie, but Bogey makes a nice courtroom stand at the end. The best thing about this movie is that it probably inspired Ray to continue exploring similar themes in his later, greater Rebel Without a Cause. With George Macready.
[6] Moderately entertaining supernatural drama from director Clint Eastwood. The film follows three separate story lines that come together in the end. Matt Damon plays a reluctant psychic who can commune with the dead; Cecile de France plays a news reporter who has a near-death experience in a tsunami that opens the film; and Frankie and George McLaren play twin brothers separated by death. The …
[6] Walter Huston and Jimmy Stewart star as a father and son at odds with one another in the years preceding The Civil War. Huston’s a preacher and Stewart’s character wants to pursue the earthly profession of medicine. Beulah Bondi earned an Oscar nomination playing the mother torn between the two of them. And I’m somewhat torn about the movie. I love Huston, Stewart, and …
[6] An prep school teacher tries to set his students on a righteous path in The Emperor’s Club. More like Goodbye, Mr Chips than Dead Poets Society, this flick focuses more on the importance of moral character than inspiration or motivation. (Don’t just seize the day; seize it well?) It’s a low-stakes morality tale, but you find yourself caring because Kevin Kline does. His performance is …
[9] When a movie’s main title is preceded by a lonely man riding a farting corpse off a desert island and across the ocean, you either leave the theater immediately, or settle in for a cinematic experience like no other. Paul Dano (There Will Be Blood) plays the lonely one, and Harry Potter himself (Daniel Radcliffe) plays the flatulent one. Dano’s about to hang himself …
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