[8] George Romero directs an anthology from Stephen King in this homage to colorful horror comics of the 1950s. All five tales are pretty good. In Father’s Day, a deceased patriarch comes back to life to torment his heirs. Then Stephen King steps in front of the camera, playing a goofy hillbilly who discovers a deadly meteor in The Lonesome Death of Jordy Verill. Leslie …
[7] This decent little horror anthology produced by Bryan Singer serves up four tales of Halloween fright. Each of the stories feels like a small-town myth, the kind that haunts a community for generations. I particularly liked the one about a school bus driver who murders a bus load of ‘special needs’ kids. Other plot lines involve a high school principal who has it out …
[6] Reviled in its initial release for lacking any appearance of Michael Myers, truth is Halloween III ain’t that bad, it’s just mis-titled. It plays like an expanded episode of Twilight Zone or Outer Limits, centered around an oafish hero (Tom Atkins) and a stereotypical hot chick (Stacey Nelkin) who team up to uncover a conspiracy involving deadly Halloween masks. Halloween III is silly and …
[5] Roger Corman directs and Vincent Price stars in their only collaboration based on a story by H.P. Lovecraft. Price plays a man claiming an inherited castle where he gets possessed by the spirit of his great grandfather, who is hellbent on exacting his revenge on the relatives of the villagers who burned him alive one hundred years ago. Price plays both the possessed and …
[3] While trying to lose their virginity, two college guys discover some of the girls on campus are actually terrifying creatures from outer space. You’re either going to like that summary or you’re not. Decoys is a low-budget flick with respectable ambitions, but its thin story needs to rest on stronger characters and more charismatic actors. The lead boy (Corey Sevier) is easy on the …
[5] Whenever Bela Lugosi isn’t onscreen, you can’t wait for him to return in this cornerstone of on-screen horror. His iconic portrayal is the best thing this movie has going for itself. I also liked some of the sets and Dwight Frye’s crazy performance as Renfeld. The rest of the cast are not particularly good, and I would like the Dracula/Mina relationship to have been …
[7] I’m always on the lookout for a good monster movie, and Godzilla is one of the most legendary monsters in movie history, right? But he’s still not a sure thing. We all remember the Dean Devlin and Roland Emmerich crap-fest from 1998, right? Well, thank goodness Monsters director Gareth Edwards takes the big lizard more seriously than they did. And thank goodness Edwards knows …
[3] Eleven years ago, young Kaylie and Tim saw their father murder their mother. By the end of that night, Tim would be put in an institution for killing their father and Kaylie would enter the foster care system. Cut to now: Tim is discharged from the institution, now a young adult. Kaylie is there waiting to take him home to the scene of the …
[3] I want to be nice to this movie because so many of my friends adore it. But I’ve pondered this review for over a month and can’t put it off any longer. I don’t like this movie. Like, at all. I’m not even sure how to review the damned thing. Did I enjoy watching it? No. Do I appreciate it? Parts of it. Peter …
[8] Half-way through The Loved Ones, I was hating it all over. The fact that it won me back impresses the shit out of me. It’s an Australian horror flick about a hapless teenager struggling with survivor’s guilt (Xavier Samuel) who gets kidnapped by a spoiled, sadistic classmate (Robin McLeavy) and her whipped father (John Brumpton). Once tied to a chair beneath a spinning disco …
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