The Conjuring, written by twin brothers Chad and Carey Hayes and directed by James Wan (Dead Silence, Saw), is an old-fashioned haunted house story that morphs into one of demonic possession. After some clunky exposition, the first half of the film is a solid tension-filled spook fest. Lili Taylor and Ron Livingston play parents of four young girls who unwittingly move their family into an old house where some pretty serious shit went down. With the help of husband and wife paranormal investigators (Patrick Wilson and Vera Farmiga) and the superfluous involvement of several horror tropes (a nasty doll, a witch, a music box, etc.), you start to figure out what’s going on and who’s behind it all. Unfortunately, the more you learn, the less interesting the movie gets. By the time Lili Taylor steps into pea soup-spewing territory, the movie’s stock starts to plummet.
In The Other, To Kill a Mockingbird director Robert Mulligan does a great job engendering sympathy for a schizophrenic child who is channeling the spirit of his deceased twin. Chris and Martin Udvarnoky do a commendable job playing the boy and his ‘other,’ and famed acting teacher Uta Hagen is good as the Russian aunt who begins to put two and two together after a series of tragic ‘accidents’ happen on the family farm.
In this Howard Hawks production, an arctic science team finds an alien buried in the ice, so they bring it back to their facility for closer inspection. Things go awry, the monster gets loose, and before long, all the men are in danger of becoming food for the alien’s progeny. This is a great atomic-age monster movie that well exceeds expectations for the genre and the period it was made.
In this horror comedy from director Peter Jackson (Lord of the Rings), Michael J. Fox stars as a charlatan ghostbuster who can communicate with the undead. After many of the local ghost community start disappearing, Fox gets roped into solving the mystery, which involves a 20-year old mass-murder at a nearby mental institution. If it sounds convoluted, it is. The narrative is over-complicated, involving too many characters and flashbacks, but there are enough elements here that you’re likely to find at least some of them interesting.
