The Treasure of the Sierra Madre (1948)
[9]
Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?
The Ghost and Mrs. Muir (1947)
Notorious (1946)
To Have and Have Not (1944)
Edge of Darkness (1943)
Bambi (1942)
Casablanca (1942)
Mrs. Miniver (1942)
The Devil and Daniel Webster (1941)
[10]
William Dieterle’s adaptation of Stephen Vincent Benet’s The Devil and Daniel Webster is a winning combination of rustic Americana and dark fantasy. A cautionary tale of greed and power, the narrative centers around the character of Jabez Stone (James Craig), a down-on-his-luck farmer who is barely able to support his family in 1840s New Hampshire. When the nefarious Mr. Scratch (Walter Houston) appears during a moment of weakness, Jabez agrees to sell his soul in exchange for seven years of good luck. Much to the dismay of his wife (Ann Shirley), mother (Jane Darwell), and beloved politician Daniel Webster (Edward Arnold), Jabez slips into a downward spiral as a result of his newfound wealth and power. When his seven years are up, Jabez learns the error of his ways and wants to make amends. To escape his contract with the Devil, Jabez puts his fate in the hands of the almost mythic Daniel Webster, who represents him in a climactic barn room trial against Mr. Scratch and a jury of the damned.