The Last Starfighter (1984)

The Last Starfighter (1984)

[7]

For a movie that was no doubt jumping on the E.T. and Star Wars bandwagon, The Last Starfighter manages to carve a niche for itself. Teenager Alex Rogan (Lance Guest) wins the high score on a mysterious video game and is suddenly recruited by an alien to defend the universe from some cosmic bad asses. What counts here is charm. The Last Starfighter oozes with the stuff, and it’s not forced. I love the trailer court setting and the depiction of the tight-knit community that live there. Casting “The Music Man” himself, Robert Preston, as a charlatan recruitment officer named Centauri is a stroke of genius. You can’t help but love Preston, even when he’s peddling bullshit. Dan O’Herlihy also does a commendable job acting through heavy prosthetics as Grig, Alex’s lizard-like trainer and shipmate.

Starship Troopers (1997)

Starship Troopers (1997)

[8]

Director Paul Verhoeven (RoboCop, Basic Instinct) continues his knack for combining violence, gore, dark humor and social commentary in this loose adaptation of Robert A. Heinlein’s serialized novel about humankind’s future war against a race of insect-like aliens. I can almost enjoy the movie for the action alone. It escalates beautifully, with plenty of exciting sequences and spectacular visual effects. But it’s the satirical edge that helps distinguish Starship Troopers. The whole movie is designed as a recruitment film for a fascist society. When our ‘heroes’ win in the end, the movie has its tongue firmly in cheek, dressing them as full-blown Nazis while Leni Riefenstahl-like propaganda leads us into the closing credits.

Elysium (2013)

Elysium (2013)

[5]

Writer/director Neill Blomkamp (District 9) serves up a blunt class struggle allegory set in a future where the filthy rich live on Elysium, a nice orbiting space station, while the rest of us live on the wastelands of planet Earth. Matt Damon stars as the working-class hero who risks it all to break into the floating utopia where he can cure himself and a friend’s child of their fatal illnesses and facilitate a coup. His mission threatens Elysium’s security czar, played by an icy cold Jodie Foster, who is plotting a coup of her own. She summons a crazed secret agent (Sharlto Copley) to stop Damon before her plans are foiled.

H.G. Wells’ First Men in the Moon (1964)

H.G. Wells’ First Men in the Moon (1964)

[7] A British couple and a mad scientist embark on the world's first trip to the moon and end up getting more than they bargained for in this colorful fantasy featuring visual effects and animation by Ray Harryhausen. First Men…
The Thing from Another World (1951)

The Thing from Another World (1951)

[7]

In this Howard Hawks production, an arctic science team finds an alien buried in the ice, so they bring it back to their facility for closer inspection. Things go awry, the monster gets loose, and before long, all the men are in danger of becoming food for the alien’s progeny. This is a great atomic-age monster movie that well exceeds expectations for the genre and the period it was made.

The Black Hole (1979)

The Black Hole (1979)

[8] It may have been Disney's pallid attempt to cash in on the success of Star Wars, but The Black Hole is another kind of animal, a kitschy matinee sci-fi/horror movie that's worth a look in its own right.  It's…
Inception (2010)

Inception (2010)

[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters -- and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our…
District 9 (2009)

District 9 (2009)

[9]

Neill Blomkamp’s stellar directorial debut is an unpredictable blend of intelligence, emotion, and cinematic whoop-ass that defies convention and leaves you breathless. It begins like a documentary, outlining how a race of stranded aliens (the space kind) came to be ghettoized in South Africa. We follow a character named Wikus, a bumbling government agent who is tasked with herding the aliens to a new camp (the concentration kind) further away from Johannesburg. The aliens aren’t pretty, but you’ll be surprised how emotionally invested you’ll get in a couple of them — a father named Christopher, and his tiny young son, who are desperately trying to find a way back to their home world. When Wikus subjects himself to a dangerous alien chemical, he begins a Kafka-esque transformation into one of the aliens, or “prawns” as they are called derogatorily.

WALL-E (2008)

WALL-E (2008)

[9]

My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so.  There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond.  The fact that these two odd ‘bots end up protecting the last sliver of life on Earth — a tiny plant — could have been cloying, but Pixar knows how to handle the material.  When WALL-E finds the fragile vine, he simply collects it in an old shoe and places it on a shelf with other artifacts of a bygone era. 

War of the Worlds (2005)

War of the Worlds (2005)

[9] Steven Spielberg remakes H.G. Wells' sci-fi classic, and as far as I'm concerned, it's easily his best movie in many, many years. Through the eyes of a single father (Tom Cruise) and his two children (Dakota Fanning and Justin…