[7] This Hammer production is, in the best way possible, like a live-action episode of Scooby-Doo, complete with pirates, marsh phantoms, scarecrows, and secret identities. The charismatic cast is headlined by Peter Cushing as the dubious town vicar and Patrick Allen as a British captain sent to investigate an alleged smuggling ring. The mystery is as transparent as anything the Scooby gang ever encountered, but …
[5] As a boy, Harry saw Mommy screwing Santa Claus, which really messed with his brain. As an adult, Harry is obsessed with Christmas. He works at a toy factory, keeps disturbingly close tabs on all the neighborhood children, and has a tendency to go homicidal when people doubt that he’s the real St. Nick. Christmas Evil isn’t violent enough to be a slasher movie …
[5] Vincent Price headlines as a millionairre who offers $10,000 to five people if they’ll spend the night with him and his wife in their haunted hilltop mansion. The house is the site of countless murders and is supposed to be haunted by ghosts. But is it the paranormal the guests should be afriad of? Or is it Price and his wife, who seem to …
[8] Stranded in the desert on their way to California, a family is attacked by savage cannibals in Wes Craven’s brutal, low-budget horror flick, The Hills Have Eyes. I love the setting and tone of the film. The isolation of the desert location and the darkness that surrounds the family’s wrecked camper create a palpable atmosphere of dread and terror that’s hard to shake, especially …
[8] Two brothers plot to rob their parents’ jewelry store, sending their lives and the lives of their loved ones into a tragic, downward spiral. Sidney Lumet (Network, Dog Day Afternoon) directs his final film with a stellar cast in this melodramatic thriller. Philip Seymour Hoffman plays the scheming brother who holds a grudge against their father, while Ethan Hawke plays the more insecure younger …
[7] The residents of a small California town are slowly being replaced by otherworldly “pod people” and it’s up to Kevin McCarthy and Carolyn Jones to warn the rest of the world about the invasion. This original film version is a modestly-budgeted but effective sci-fi/horror flick. It’s emblematic of the ’50s for its allegorical use of the Red Scare, but it also suffers from some …
[7] Hannibal Lecter is still on the lam (no pun intended) after the events in The Silence of the Lambs, but now there’s another killer who wants to bring him to justice. Ridley Scott (Alien, Blade Runner) directs this time, taking the subject matter into far more operatic territory. Where The Silence of the Lambs showed restraint with violence and gore, Hannibal does not. The …
[8] A young boy who can see and hear dead people confides in a child psychologist who comes to believe the boy’s curse is a gift. The strength of The Sixth Sense lies most prominently in the scenes between Toni Collette and Haley Joel Osment. I’m hard-pressed to think of another on-screen mother/son relationship that is more realistic or affecting. Their final scene together, where they …
[8] Kathy Bates delivers a spooky Oscar-winning performance in Rob Reiner’s film based on the novel by Stephen King. Screenwriter William Goldman builds a tremendous amount of tension and suspense with barely more than two characters and one room. The payoff isn’t as interesting as the build-up, but Misery is still a fun, scary ride. James Caan is great as the victimized writer, and deserves …
[4] Sarah Michelle Gellar (TV’s Buffy the Vampire Slayer) stars as a woman who has visions of a murder, eventually coming to realize the murderer may be coming for her, too. This supernatural thriller is okay for the first half-hour, but then it completely reveals its hand when there’s still half the movie left to endure. For all the mysterious build-up, the concept turns out to …
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