[7] Bridget Fonda and Bill Pullman star in this good old fashioned creature feature about a 30-foot crocodile that begins weeding out the population of a lakeside Maine community. The script is from TV titan David E. Kelly (Boston Legal, Ally McBeal, Picket Fences), so expect the same sort of neurotic, whacky characters that populate his shows. Oliver Platt and Brendan Gleeson provide most of …
[6] Molly Shannon is one of the funnier women to come out of Saturday Night Live the last few decades. If you agree, you’ll probably find Superstar moderately entertaining. If not, this formulaic comedy could be a rough slog for you. Shannon is reprising her SNL role of Mary Katherine Gallagher, a socially awkward Catholic school girl in search of superstardom and a wet face …
[4] I really like Oliver Stone about half the time, but the show-offy style he used with Natural Born Killers and J.F.K. doesn’t service Any Given Sunday. Those other films, with their multiple perspectives and drug-induced visions, felt right to employ rapid editing and multiple media. But Any Given Sunday is (or should have been) a reality-based ensemble drama about the rigors and tribulations of …
[8] In pre-World War II Florence, a group of elitist British dames and a garish American art collector take in a small boy and raise him. When Britain and America enter the war several years later, the young man returns the favor by looking after the women when they’re interned by the Italian police — and helping to smuggle one of them out of the …
[5] SPOILER REVIEW I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American …
[9] Who said period pieces have to be stuffy? Director Oliver Parker equips a talented and charming ensemble cast with the eviscerating words of Oscar Wilde. Rupert Everett owns the role Arthur Goring, a self-centered playboy who runs from responsibility and commitment, but who still manages to be a loyal friend. Julianne Moore is delightful as the nefarious Mrs. Cheveley, whose blackmailing threatens to upset …
[10] A profound, yes profound, pitch black satire that has become an anthem for a “generation of men raised by women”. From a gender studies perspective, Fight Club speaks to the fragility of masculine identity and the disturbing lengths to which misguided youth will go to feel like they belong, to have identity, to be men. Fight Club is famously reviled for its graphic depiction …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
[9] Writer/director Paul Thomas Anderson follows Boogie Nights with another sprawling emotional epic full of spectacular acting and rich directorial style. The screenplay is an exercise in whimsical allegory, connecting the lives of nine different characters in a sometimes obtuse retelling of the Exodus story, complete with an audacious, climactic rain of frogs. The many characters and subplots are held together remarkably well through Anderson’s …
[9] “What if a gun had a soul?” That’s how director Brad Bird pitched The Iron Giant to Warner Bros. Animation. The gun in question is The Iron Giant himself, a robot of unknown origin that crash lands on Earth in 1957, at the height of the atomic scare. He dents his head and can’t remember where he’s from or why he exists. He befriends …
Copyright © 2024 | Theme by MH Themes