[4] Sarah Michelle Gellar (TV’s Buffy the Vampire Slayer) stars as a woman who has visions of a murder, eventually coming to realize the murderer may be coming for her, too. This supernatural thriller is okay for the first half-hour, but then it completely reveals its hand when there’s still half the movie left to endure. For all the mysterious build-up, the concept turns out to …
[7] Pixar has an uncanny way of dressing up an old familiar formula and making it seem brand new. Cars is a story about life in the fast lane (literally and figuratively), and the dangers of forgetting to smell the flowers and cherish all the little things. It could so easily have been cloying and cheap, but Pixar puts so much genuine emotion and sincerity …
[7] Nicole Kidman and Robert Downey Jr. star in this odd hybrid of biopic and fable that mixes elements from the lives of photographer Diane Arbus and a hirsute freakshow performer named Lionel. Kidman plays Arbus, a woman who in the 1950s had yet to come out of her shell and discover her gifts. When a mysterious new neighbor moves in upstairs, she’s drawn to him …
[6] So, fifteen minutes into The Fountain, you get a bald man sitting in a snow globe talking to a tree while drifting through space. At that point, you either go with writer/director Darren Aronofsky (Pi, Requiem for a Dream), or you shut the movie off to make the pain go away. Fortunately, that initial leap of faith is the hardest. I started to dig …
[5] Personally, I’m not sure when I’ll ever be “ready” to see any dramatizations of September 11th, 2001. I definitely don’t want to see those events sensationalized. Thankfully, Oliver Stone exercises restraint with the material, opting to show the film almost entirely from two characters’ points of view. World Trade Center is a claustrophobic survival story centered around real-life survivors John McLoughlin (Nicolas Cage) and …
[8] A 14-year-old goes home with a guy in his 30s. What follows is a nightmarish power struggle. Hard Candy is an intense character-driven thriller that succeeds primarily for the incredible performances of Patrick Wilson (Watchmen) and Ellen Page (Juno). The screenplay dives into murky moral waters, asking us to empathize with a young girl who inflicts torture and a grown man who may or …
[5] George Clooney and Cate Blanchett star in Steven Soderbergh’s homage to war-time film noir, right down to the black and white 4×3 Academy aspect ratio. Clooney plays an American military journalist who tries to figure out who shot his driver (Tobey Maguire) in Berlin, after Germany fell but before the atomic bomb. Then Clooney discovers he and Maguire have bedded the same woman, a …
[6] Samuel L. Jackson and Christina Ricci star in this southern tale of an abused nymphomaniac who falls under the tough-loving care of a recently divorced bluesman who wants to set her back on God’s path. If you can get over the fact that Jackson’s character literally chains Ricci to his radiator to keep her from whoring around, you’ll see how Black Snake Moans unfolds …
[8] Robert DeNiro directs from a script by Eric Roth this taught, engaging, mysterious, and surprisingly emotional story about the birth of the CIA. Matt Damon stars, serving as our window into a world full of secrets and deception. Damon’s reserved cool gives costars Angelina Jolie and Eddie Redmayne plenty to act against, playing the wife and son who always get second fiddle to career …
[4] Samuel L. Jackson and Julianne Moore star in this clunky mystery about a New York detective tasked with prying information from a distressed woman whose toddler was kidnapped in a stolen car, while also trying to prevent an escalating race riot. Yeah. Freedomland is a hot mess of a movie. Jackson’s two objectives don’t seem to have any connection to one another and the …
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