[10]

Harper Lee’s Pulitzer Prize-winning novel is lovingly adapted to film by director Robert Mulligan, screenwriter Horton Foote, and producer Alan J. Pakula. Gregory Peck earned the Best Actor Oscar for his portrayal of Atticus Finch, a lawyer of uncompromising morals who puts the safety of his family on the line to defend Tom Robinson (Brock Peters), a black man accused of raping a white woman. Finch is also a widower, raising his two young children with the help of his maid Calpurnia (Estelle Evans). The narrative is made a coming-of-age story through the eyes of Finch’s youngest, the feisty Jean Louise — or Scout (Mary Badham) as she’s nicknamed. Scout’s perspective on racism is balanced with her own fear and ignorance surrounding a neighbor named Boo Radley (Robert Duvall), who turns out to be her salvation when she and her brother are attacked by a bigot seeking revenge on their father.

The Bridge on the River Kwai (1957)

July 12, 1957

[8]

A British colonel (Alec Guinness) leads his fellow POWs in constructing a bridge for their Japanese captors, unaware of the fact that allied forces, guided by a reluctant American (William Holden), have launched a covert mission to destroy it. David Lean’s film zips along remarkably well considering it’s nearly-three-hour running time. The film benefits from its exotic locale, Oscar-winning cinematography, and distinguished performances.

Seven Brides for Seven Brothers (1954)

July 24, 1954

[9]

It could just be my hillbilly roots, but I get a kick out of this corny but highly entertaining romp from the director of Singin’ in the Rain. A kind-hearted woman (Jane Powell) impulsively marries a mountain man (the booming Howard Keel) but gets more than she bargained for when he introduces his six brothers in the squalor of their remote farm house. Powell is the heart of the movie. Making the best of it, she tries to civilize Keel’s six lonely brothers to improve their chances of finding their own brides.

The African Queen (1951)

July 12, 1951

[9]

Charm can take a movie a long, long way. With Katharine Hepburn and Humphrey Bogart in their only film together, The African Queen goes the distance. She’s Rosie, the prudish widow of a missionary, and he’s Charlie, the rough-around-the-edges steamboat captain. Director John Huston puts them in a small boat together and lets the sparks fly. We need only a simple plot to drive this movie forward — Charlie and Rosie are determined to sink a German gunship that blocks the mouth of the river, so they make their own torpedoes and head straight into danger. The story gives ample room for the characters to quarrel and, yes, fall in love.

The Treasure of the Sierra Madre (1948)

July 24, 1948

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?

Mrs. Miniver (1942)

May 21, 1942

[10] William Wyler's portrait of an English family weathering the darkest hours of World War II is a moving drama about hope and persistence. There's a quiet strength and noble resolve about the characters in this movie that I find utterly disarming.…

The Grapes of Wrath (1940)

November 15, 1940

[10] John Ford directs John Steinbeck's Pulitzer Prize-winning tale of a destitute Oklahoma family who pile everything they own into a jalopy and head for California in hope of finding work and a new home. The Grapes of Wrath puts an exclamation…

The Wizard of Oz (1939)

September 18, 1939

[10] Those ruby slippers have lost no luster in the 80-plus years since the original release of The Wizard of Oz, a film that pretty much defines 'timeless classic'. In the L. Frank Baum story, a spoiled farm girl named Dorothy (Judy…

Stagecoach (1939)

July 15, 1939

[9]

John Ford’s masterpiece is still a thoroughly entertaining ride. A handful of disparate personalities, including John Wayne as the notorious Ringo Kid, take their chances traveling through Apache territory. Along the way, friends and enemies are made, a baby is born, a seemingly doomed romance blooms, and not everyone makes it to their destination alive.

Boys Town (1938)

May 21, 1938

[8] Spencer Tracy won his second (consecutive) Academy Award for his portrayal of Father Flanagan, a man who firmly believed "there are no bad boys." In the movie and in real life, Flanagan built an educational refuge for homeless and delinquent boys…