[3] Movies like this bring out the valley girl in me. So, like, I just don’t give a shit about Thor, okay? Watching a bunch of thee-and-thou types running around in nightgowns and armor is just silly, you know? And what is Anthony Hopkins’ problem in these movies? He’s like, Thor’s dad and the king and everything, but then he turns around and he’s all …
[6] Oliver Stone’s epic bio of the Macedonian military legend, like so many pet projects, is a glorious mess of a movie. The screenplay goes back and forth in time, mixing scenes of Alexander’s youth with scenes of his conquests. The result is jarring, never allowing you to get to know the character in any time. The narrative also relies far too much on Anthony …
[10] The story of Titus Andronicus is a fascinating dissertation on human violence, and in the hands of visionary director Julie Taymor (Frida, Across the Universe), it becomes an orgasm of cinematic delight. It opens in the aftermath of war, as Titus (Anthony Hopkins) returns victorious to Rome, having just defeated the Goths and captured their queen, Tamora (Jessica Lange), and her sons. Fulfilling his …
[9] Here we have a horror film so classy, it won the Oscar for Best Picture. Anthony Hopkins and Jodie Foster each deliver career-defining performances as Hannibal Lecter and Clarice Starling, the central characters in author Thomas Harris’ perverse contemporary retelling of Beauty and the Beast. The screenplay balances their provocative banter with a well-constructed mystery surrounding the identity and whereabouts of a serial killer …
[10] Which of King Henry II’s sons will succeed him on the throne? This question is rife with political intrigue, personal vendettas, and intense family drama in The Lion in Winter. The relationships are fascinating to watch unfold. The three sons will stop at nothing to wear the crown. King Henry has his favorite, and his wife Eleanor has hers. Their desires come to a …
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