[8] Disney’s 50th feature-length animated movie is their best in many years. Tangled recaptures the charm, humor, and spirit of the studio’s second renaissance, the late 80s/early 90s period that saw such hits as The Little Mermaid and Aladdin. Quite simply, I laughed and I cried, thoroughly engaged with the characters and the storytelling. And when I thought I had Tangled figured out, it gave …
[2] There’s precious little to keep you interested in this hideous-looking and busily boring shit-fest of a film that is both a nadir for director Tim Burton’s creative trajectory and emblematic of everything wrong with Hollywood in the early 21st century. Much muchness? Indeed. Alice in Wonderland is the cinematic equivalent of a priapism.
[8] Disney’s Frozen borrows ideas from Hans Christian Andersen’s The Snow Queen and follows closely in the footsteps of Tangled before it, but it’s also a bit more. For one thing, there’s an interesting sister dynamic at play here. One royal daughter, Anna (voiced by Kristen Bell), is the care-free sort, while the older daughter Elsa (Wicked‘s Idina Menzel) is born with a curse – …
[6] Prior to Tron, computer animation appeared in a scene here and there, in films like Star Wars and The Black Hole, but Tron marked the first extensive use of it. So it’s something of a cinematic milestone, the great-grandfather of modern CGI fests like Avatar. Tron looks and sounds like no other movie with its austere digitally-rendered landscapes, the characters in glowing tights, and …
[8] It may have been Disney’s pallid attempt to cash in on the success of Star Wars, but The Black Hole is another kind of animal, a kitschy matinee sci-fi/horror movie that’s worth a look in its own right. It’s a cross between Frankenstein and The Old Dark House, falling more in line with Forbidden Planet than it does George Lucas’ famous trilogy. Robert Forster, …
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