[8] Special effects maestro Ray Harryhausen brings Greek myths to life in Clash of the Titans. The story centers on heroic Perseus, favored son of Zeus, who must accomplish several deadly chores in order to save his beloved Andromeda from being sacrificed to the monstrous Kraken. The film features a wide array of stop-motion animated characters, including Pegasus the winged horse, Bubo the mechanical owl, …
[4] Rogue One is the first of what is sure to be many stand-alone or spin-off Star Wars movies over the next few decades. This maiden venture focuses on the events leading directly into Episode IV: A New Hope, with a young woman trying to redeem her father’s coerced invention of the Death Star by leading a rag-tag team of freedom fighters into hostile Imperial …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[6] Jupiter Ascending is probably the last big-budget studio picture from Andy & Lana Wachowski, the creators of The Matrix trilogy and some other movies that failed to live up to expectation. I admire the Wachowski’s ambition and I appreciate how they always try to push the envelope with content and execution. It’s not always a success, unfortunately. Jupiter Ascending is a huge, epic story …
[7] J.J. Abrams (Lost, Super 8) takes the directing reigns from creator George Lucas and delivers a better film than any of the prequels. Original core cast members join new players in a script co-written by Abrams and Lawrence Kasdan, who penned The Empire Strikes Back and Return of the Jedi with Lucas. The story takes place thirty years after the events of Return of …
[7] Episode III is far and away the best of the Star Wars prequel trilogy. Everything I don’t like about the previous two films remains true, namely that it’s over-produced and the characters aren’t very interesting or engaging. But at least George Lucas and co-screenwriter Jonathan Hale finally cash in on some of the story’s dramatic potential. As the Emperor (Ian McDiarmid in a starring …
[6] Part two of George Lucas’ Star Wars prequel trilogy is still cluttered and over-produced like the previous installment, but it’s a modest improvement over part one, thanks in large part to a solid final act. But man, oh, man, do you have a long tedious slog to get to that third act. Lucas and co-screenwriter Jonathan Hale bank on cross-cutting story lines (ala Empire …
[7] Angelina Jolie headlines in this pleasantly surprising revisionist version of Disney’s Sleeping Beauty. Jolie plays Maleficent, the dark fairy villain of the original fairytale. But in this new version of the story scripted by Linda Woolverton (Beauty and the Beast), she’s both the villain and the hero — and Jolie is fantastic in the role. You see Maleficent as the glorious creature she once …
[4] In this Sinbad adventure, the famed sailor is trying to wed a princess (imagine that), but can’t get her brother’s blessing until he reverses an evil spell that turned the brother into a baboon. The story isn’t much, but at least it throws in several new Ray Harryhausen stop-motion creations, including a saber-toothed tiger, a giant walrus, and some banshees. I enjoyed disparate parts …
[9] Guillermo del Toro’s fantasy masterpiece is a volatile blend of whimsy and horror that dares to explore the depths of human evil through the eyes of an innocent child. The film is brutal, heartbreaking, and gorgeous. Del Toro’s unique style is on full display here, in the conceptual design, the fluid camera work, and in the delicate performances. Young Ivana Baquero gives a solid …
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