[4] Queer cinema pioneer Gregg Araki (The Living End, Mysterious Skin) serves up a brightly colored teen sex comedy by way of Twin Peaks with a Dr. Strangelove finale. Like most of Araki’s films, there are nice scenes here and there, and a raw, primal quality to his storytelling that allows him to get away with lack of subtlety better than most filmmakers. But I’d …
[7] Of all the edgy, non-linear pretenders to the throne that came in the wake of Pulp Fiction, Doug Liman’s Go may be among the best. The story weaves in and around a handful of disparate characters that interact at a grocery store before heading their separate ways. The movie keeps returning to the grocery store scene (Groundhog Day style) but follows a different character …
[9] Donnie Darko stands alone: an edgy, sophisticated science-fiction movie that mixes time travel and nightmarish visions with family drama and ’80s nostalgia. The tangled narrative revolves around the emotionally disturbed Donnie (Jake Gyllenhaal), a teenager who strikes up a relationship with a hallucination — a man in a horrid rabbit costume (James Duvall). The rabbit tells him what to do and Donnie does it …
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