LGBTQ

[8] A gay couple who own a drag show cabaret must pretend to be straight when their son invites his fiancée’s Christian conservative family to meet them for dinner. The Birdcage is an American remake of a French film, which is based on the play “La Cage aux Folles”. Upping the ante for our expectations of remakes and adaptations is the involvement of director Mike …

[7] Rupert Everett and Colin Firth star in this coming-of-age period drama set in an elite 1930s English boys’ school, where militaristic tradition and hierarchy seems far more important than education. There is a sense of brotherhood among the students, even though Everett’s character is openly gay and Firth’s character is a devout Marxist. But when another student commits suicide, the school cracks down on …

[6] A bisexual hustler (Joed Adair) hitchhikes around the Pacific Southwest looking to trade sex for room and board — and maybe a deeper connection with someone? Drifter is an early offering in the history of gay cinema, a non-explicit 16mm film produced by a gay porn company (Jaguar) hoping for a mainstream crossover. Drifter never found that kind of success, of course. In fact, …

[6] Jim Parsons (The Big Bang Theory) and Ben Aldridge star in this gay twist on Love Story, based on the autobiographical book by Michael Ausiello. Parsons is the shy, awkward guy and Aldridge plays the cool, outgoing one. Somehow, their unlikely friendship blossoms in New York City over several years. But as the title suggests, tragedy strikes when Aldridge’s character is diagnosed with terminal …

[4] Two New York men with commitment issues attempt a relationship, but their own insecurities threaten to prevent anything long-term from developing. Yes, Bros is a big studio gay rom-com, a rarity that would have been cause for celebration thirty years ago. Today, not so much. The film is written by Billy Eichner and Nicholas Stoller (Neighbors, Forgetting Sarah Marshall), with Stoller also directing and …

[5] Director François Ozon (8 Women, Swimming Pool) adapts a French young adult novel (Aiden Chambers’ Dance on My Grave) about a sixteen-year-old boy who falls in love with a slightly older boy who rescues him when his sailboat capsizes off the shores of Normandy in summer, 1985. Summer of 85 begins by warning us that the older boy will be dead by tale’s end, …

[6] James Wilby and Hugh Grant star as young lovers driven apart by oppressive heteronormativity in pre-World War I England. The two meet in college and cautiously profess their love for one another. But when a fellow gay student is put on trial for immorality and his career promises ruined, Clive (Grant) gets cold feet and decides to live a ‘straight’ lifestyle. The two remain …

[8] Just as she did with The Piano nearly thirty years ago, director Jane Campion exposes the tragic consequences of rigid gender conformity in The Power of the Dog. Benedict Cumberbatch stars as a deeply closeted gay cattle rancher in 1925 Montana. When his brother (Jesse Plemons) brings his new bride (Kirsten Dunst) and her effeminate son (Kodi Smit-McPhee) to live with them, Cumberbatch cruelly …

[6] One night in the Big Apple, two young gay guys — one a timid writer of musicals, the other a go-go dancer — try to hook up for a one night stand. With both their apartments otherwise occupied, where can two horny young lads find some privacy? Trick isn’t high-concept or the least bit provocative, and that’s okay. It’s a simple romantic comedy for …

[7] Colin Farrell stars as a free-spirited young man who enters into a romantic triangle with a woman (Robin Wright) and his boyhood friend (Dallas Roberts). A Home at the End of the World, based on the novel by Michael Cunningham (The Hours), takes us through three decades in these characters’ lives. The first quarter of the movie shows us how Farrell’s character was shaped …

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