[9] In this sequel from director Matt Reeves (Cloverfield, Let Me In), the virus introduced in the previous film has obliterated more than 99% of the human population worldwide. In San Francisco, there is a small colony of humans focused on repairing a hydroelectric dam in the Red Woods so they can have electricity and possibly reconnect with other survivors. But its in the Red …
[8] “For me, movies are an art. More than an industry. As essential to the human soul as painting, as literature, as poetry… Movies are that for me…” Like Lost in La Mancha, a chronicle of Terry Gilliam’s ill-fated attempt to bring Don Quixote to the screen, so does Jodorowsky’s Dune showcase the preparation of a film that never got made. In this documentary from …
[8] X-Men: Days of Future Past brings back most of the cast from the Bryan Singer films (X-Men and X2) and merges them with the cast of Matthew Vaughn’s First Class for a storyline involving time-travel and the mutants’ desperate attempt to correct an error in 1973 that would, fifty years later, lead to annihilation for both mutants and humans alike. Simon Kinberg’s screenplay puts …
[8] I’m honestly pretty sick of superhero movies, but I still have a soft spot for the X-Men. Director Matthew Vaughn (Kick-Ass, Layer Cake) reinvigorates things with First Class after a couple of less-than-stellar entries in franchise. The plot moves at a ridiculous pace and the connections between points A, B, and C can be a little convenient, but Vaughn succeeds in giving the movie …
[8] This 2002 classic, period-piece rendition of Charles Dickens’ Nicholas Nickleby is sweet, sentimental, and beautifully executed. I personally found it irresistible. Charlie Hunnam (Sons of Anarchy, Pacific Rim) is perfectly cast as Nicholas, a young man who discovers his own strength of character when called upon to defend his family and friends from villainy. The main villain is his own uncle, played deliciously by …
[8] Half-way through The Loved Ones, I was hating it all over. The fact that it won me back impresses the shit out of me. It’s an Australian horror flick about a hapless teenager struggling with survivor’s guilt (Xavier Samuel) who gets kidnapped by a spoiled, sadistic classmate (Robin McLeavy) and her whipped father (John Brumpton). Once tied to a chair beneath a spinning disco …
[8] Meryl Streep snared the best actress Oscar for her disarming performance as a Polish refugee forced by a Nazi soldier into one of the cruelest scenarios a mother could imagine — choosing which of her two children will die. The Auschwitz scenes, which unfold via flashback, are probably the most memorable ones in Sophie’s Choice, but I was equally (if not more) enthralled by …
[8] A high school boy named Cameron (Joseph Gordon Levitt) wants the beautiful Bianca (Larisa Oleynik) to be his prom date, but the girl’s tyrannical father (Larry Miller) won’t allow it unless her vitriolic older sister, Katarina (Julia Stiles), tags along. So Cameron and his friends set out to buy Katarina a date. The mysterious bad boy of the school, Patrick (Heath Ledger), agrees to …
[8] Disney’s 50th feature-length animated movie is their best in many years. Tangled recaptures the charm, humor, and spirit of the studio’s second renaissance, the late 80s/early 90s period that saw such hits as The Little Mermaid and Aladdin. Quite simply, I laughed and I cried, thoroughly engaged with the characters and the storytelling. And when I thought I had Tangled figured out, it gave …
[8] Score another point for Ben Affleck. I never much cared for him as an actor, but between this film and 2007’s Gone Baby Gone, the guy has shown us some serious directing chops. Argo is the true story of how the U.S. Government worked with Hollywood to rescue six Americans who escaped the U.S. Embassy during the 1980 Iranian hostage crisis. Affleck plays the …
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