[8] Director William Wellman took a full year to shoot it and was nearly fired for his perfectionism, but the gamble paid off. Wings was a huge success at the box office and became the first ever Oscar-winning Best Picture. At two-and-a-half hours, it runs a little too long, but it’s well paced and very well acted. The spectacular aerial battle sequences are what the …
[9] Two Arkansas boys discover a wanted man (Matthew McConaughey) hiding out on an island who needs their help to find his girlfriend and escape a small army of bounty hunters. There’s a resounding echo of Shane here, with McConaughey putting in another fine performance after his career-turning appearances in Magic Mike and Killer Joe last year. (Welcome back, Matthew!)
[9] I love me some ensemble dramas, and August: Osage County does not disappoint — even if it does hit a little too close to home for comfort… but then whose life isn’t affected by drugs and closeted skeletons these days? Three sisters and their motley crew of significant others converge with other family members after their patriarch goes missing. The siege becomes an intervention …
[9] William Friedkin (The Exorcist, The French Connection) directs this darkly comic trailer trash ensemble piece about a family that conspires to hire a killer to whack their matriarch and collect her life insurance. Matthew McConaughey delivers a tense, frightening, carefully measured performance as the title character. He deserves an Oscar nomination if the Academy has the balls to recognize such sinister fare. Gina Gershon, …
[9] Naomi Watts and Ewan McGregor star in this harrowing true story about a vacationing family torn violently apart by the 2004 tsunami that ravaged Thailand. The natural disaster is recreated in the opening act, seen through the eyes of Watts’ character as she desperately tries to grab hold of her eldest son as the tidal wave sweeps them both inland. She’s thrashed, cut, and …
[8] SPOILER REVIEW: Natalie Portman is incredible in Black Swan, the story of a ballerina who must tap into her ‘dark side’ to play the Swan Queen in a New York City performance of Swan Lake. Portman’s performance is a variation on Ingrid Bergman’s in Gaslight, another psychological thriller where you’re never quite sure if things are really happening or if our protagonist is going …
[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters — and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of disbelief — because in dreams, hey? Who the hell’s to say what could or could not happen, especially if the contrivance pushes the …
[9] Neill Blomkamp’s stellar directorial debut is an unpredictable blend of intelligence, emotion, and cinematic whoop-ass that defies convention and leaves you breathless. It begins like a documentary, outlining how a race of stranded aliens (the space kind) came to be ghettoized in South Africa. We follow a character named Wikus, a bumbling government agent who is tasked with herding the aliens to a new …
[9] Hellraiser fans rejoice. This is the best Clive Barker movie in twenty years. Director Ryuhei Kitamura hits the nail on the head (or the meathook through the ankles) in his handling of the story, which centers around an urban photographer (The Hangover‘s Bradley Cooper) in search of brutal subject matter. He finds what he’s looking for after stalking a stern-looking butcher onto a subway …
[9] My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so. There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond. The fact that these …
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