[9] Neill Blomkamp’s stellar directorial debut is an unpredictable blend of intelligence, emotion, and cinematic whoop-ass that defies convention and leaves you breathless. It begins like a documentary, outlining how a race of stranded aliens (the space kind) came to be ghettoized in South Africa. We follow a character named Wikus, a bumbling government agent who is tasked with herding the aliens to a new …
[9] Hellraiser fans rejoice. This is the best Clive Barker movie in twenty years. Director Ryuhei Kitamura hits the nail on the head (or the meathook through the ankles) in his handling of the story, which centers around an urban photographer (The Hangover‘s Bradley Cooper) in search of brutal subject matter. He finds what he’s looking for after stalking a stern-looking butcher onto a subway …
[9] My favorite Pixar film features two robots who say little more than each others’ names, but somehow, as if by magic, WALL-E manages to convey more emotion than films that try twice as hard to do so. There’s a charming purity in the characters of WALL-E and EVE, who to differing degrees struggle against their ‘directives’ to form a bond. The fact that these …
[10] Director Paul Thomas Anderson (Boogie Nights, Magnolia) serves up a masterful study of two ambitious men — a turn-of-the-century oil prospector driven by capitalism and a young preacher eager to grow his flock. The two men come to conflict on occasion, with the prospector’s young son often caught in the middle. But as times of prosperity drift closer to the Great Depression, the prospector …
[8] Before winning the Oscar for directing Slumdog Millionaire, Danny Boyle gave us Sunshine, a riveting, futuristic sci-fi thriller about a crew of scientists’ desperate plight to rejuvenate the sun. Anything can and does go wrong during the mission, forcing the crew into some of the toughest life-and-death decision making they’ve ever faced. With humankind’s existence hanging in the balance, the stakes couldn’t be higher. …
[10] I love road movies and ensemble pieces, but Little Miss Sunshine goes one step further by saying something we all need to hear from time to time: it’s okay to fall short of ambition. The film throws six disparate personalities, all family, into a Volkswagen bus for a weekend road trip so that the youngest of them can compete in a junior beauty pageant. …
[9] Guillermo del Toro’s fantasy masterpiece is a volatile blend of whimsy and horror that dares to explore the depths of human evil through the eyes of an innocent child. The film is brutal, heartbreaking, and gorgeous. Del Toro’s unique style is on full display here, in the conceptual design, the fluid camera work, and in the delicate performances. Young Ivana Baquero gives a solid …
[9] Martin Scorsese helms this dramatic thriller about an undercover cop (Leonardo DiCaprio) and a gang mole in the Boston police (Matt Damon) who race to uncover each other’s identities while a powerful mobster (Jack Nicholson) manipulates them both to his own, nefarious advantage. The Departed, inspired by the true story of Irish mobster Whitey Bulger, hits the ground running and never lets up on …
[9] Steven Spielberg remakes H.G. Wells’ sci-fi classic, and as far as I’m concerned, it’s easily his best movie in many, many years. Through the eyes of a single father (Tom Cruise) and his two children (Dakota Fanning and Justin Chatwin), we experience the apocalypse — the end of the world — as towering alien tripods climb out of the Earth and begin destroying humanity …
[9] Martin Scorsese directs Leonardo DiCaprio in this biopic of Howard Hughes, the billionaire aviator, filmmaker, and playboy whose considerable ambition was tragically counterbalanced by his mental illness. The Aviator opens with Hughes’ mammoth, three-year-long production of the aerial battle movie Hell’s Angels and his budding romance with Katharine Hepburn (Cate Blanchett). He makes considerable advances in the field of aviation and challenges the movie …
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