[7] It’s the third Captain America movie, but since most of the Avengers cast is reunited, it feels more like Avengers 3. Not that it matters — these movies all start to feel the same anyway. I like how this one starts, dealing with the aftermath of all the cataclysmic damage the Avengers team has accidentally caused in various countries while battling all their supernatural …
[6] Supergirl is good cheese, one of those ‘so bad it’s good’ kind of movies. You’ve got Faye Dunaway vamping out as a frustrated witch living in an abandoned amusement park, smokey voiced Brenda Vaccaro as her wise-cracking sidekick, a total waste of Peter O’Toole, and a whole bunch of monstrous threats hindered by budget constraints. Take for example Supergirl’s exciting battle with… a tractor. …
[5] A so-so sequel with a few decent action set pieces to offer, but Robert Downey Jr is the real set piece here. Without his snarky persona, the franchise wouldn’t have much to hang their hat on. The biggest weakness here is the lack of a great villain. Mickey Rourke’s vengeful Russian character leaves a lot to be desired and skews the film toward anti-climax. …
[4] Thor features solid direction from Kenneth Branagh, a rousing score from Patrick Doyle, and always stunning set design from Bo Welch. Tom Hiddleston gives the best performance in the film, as Thor’s jealous brother, Loki. No one else, including Chris Hemsworth in the title role, leaves much of an impression. Anchoring the film in utter mediocrity is a script as plain and predictable as …
[5] Batman V Superman: Dawn of Justice feels like a movie with an identity crisis, tasked with performing two disparate, thankless tasks. The first is to set up a big fight between two iconic superheroes. You know, the kind of thing that makes comic book nerds leave sticky puddles in their Underoos. Thing is, for all the wonder you might have about this climactic showdown, …
[7] Ryan Reynolds was born to play a wise-cracking vigilante, and indeed Deadpool comes off a bit like a higher-stakes Van Wilder. The story centers around the origin of the character, how he discovers he has terminal cancer and takes a chance on a scary experiment run by some bad guys who torture him and turn him into a hideously-scarred immortal super fighter. Most of …
[6] My favorite part of this Avengers sequel is when the bad guy, a robot voiced by James Spader, first pulls himself together and wobbles confidently in front of the superheroes at the end of a house party. It’s a good introduction to a nifty character who says some witty things here and then. (It is a Joss Whedon movie, after all.) Other than that, …
[4] Green Lantern is probably the single-most generic superhero movie I’ve ever seen. It’s not terrible so much as it is wholly unremarkable. It’s mired in a scatter-shot script that dwells on plot points and secondary characters I couldn’t give two craps about, when all that screen time should have been devoted to making me care about the title character. Ryan Reynolds is plenty charismatic …
[8] James Gunn (Slither) co-writes and directs one of the best Marvel movies ever. The plot is simple, nothing new or groundbreaking. Good guys gotta stop bad guys from literally destroying the world. Been there, done that, right? And like most Marvel movies, the bad guys are pretty generic and forgettable. And there are, like, what? Three or four bad guys here? Anyway, it doesn’t …
[8] X-Men: Days of Future Past brings back most of the cast from the Bryan Singer films (X-Men and X2) and merges them with the cast of Matthew Vaughn’s First Class for a storyline involving time-travel and the mutants’ desperate attempt to correct an error in 1973 that would, fifty years later, lead to annihilation for both mutants and humans alike. Simon Kinberg’s screenplay puts …
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