The Night of the Hunter (1955)

The Night of the Hunter (1955)

[10]

Two small children run for their lives from a murderous preacher in the only film actor Charles Laughton ever directed. The Night of the Hunter is a unique blend — part fable and part thriller, both pastoral and horrific, a beguiling mixture of qualities that usually mark the work of an amateur… or a genius. Laughton is as precise and purposeful as Orson Wells (even using Well’s cinematographer from The Magnificent Ambersons), but there’s also a naive, experimental quality to the film, in the way he mixes realism with German expressionism, and solemnity with odd moments of Tex Avery-style comedy.

Seven Brides for Seven Brothers (1954)

Seven Brides for Seven Brothers (1954)

[9]

It could just be my hillbilly roots, but I get a kick out of this corny but highly entertaining romp from the director of Singin’ in the Rain. A kind-hearted woman (Jane Powell) impulsively marries a mountain man (the booming Howard Keel) but gets more than she bargained for when he introduces his six brothers in the squalor of their remote farm house. Powell is the heart of the movie. Making the best of it, she tries to civilize Keel’s six lonely brothers to improve their chances of finding their own brides.

A Place in the Sun (1951)

A Place in the Sun (1951)

[9] Montgomery Clift (Red River, The Heiress) stars as a poor young man who takes a job at his rich uncle's garment factory where he falls in love with a coworker played by Shelley Winters. Things become complicated when Clift…
The African Queen (1951)

The African Queen (1951)

[9]

Charm can take a movie a long, long way. With Katharine Hepburn and Humphrey Bogart in their only film together, The African Queen goes the distance. She’s Rosie, the prudish widow of a missionary, and he’s Charlie, the rough-around-the-edges steamboat captain. Director John Huston puts them in a small boat together and lets the sparks fly. We need only a simple plot to drive this movie forward — Charlie and Rosie are determined to sink a German gunship that blocks the mouth of the river, so they make their own torpedoes and head straight into danger. The story gives ample room for the characters to quarrel and, yes, fall in love.

Sunset Boulevard (1950)

Sunset Boulevard (1950)

[10] In this darkly comic noir masterpiece from Billy Wilder, a struggling Hollywood screenwriter (William Holden) moves in with a delusional silent film star named Norma Desmond (Gloria Swanson) who wants him to write the script for her big comeback.…
All About Eve (1950)

All About Eve (1950)

[10] Bette Davis revived her sagging career and writer/director Joseph L. Mankiewicz continued an Oscar streak with All About Eve. Davis stars as Margo Channing, an aging broadway star who takes a sympathetic, aspiring ingenue under her wing. Anne Baxter…
Adam’s Rib (1949)

Adam’s Rib (1949)

[9] Of the nine films which paired Spencer Tracy and Katharine Hepburn, Adam's Rib is often considered the best. Writers Ruth Gordon and Garson Kanin were friends of the famous couple and wrote the film specifically for them. Kate insisted…
The Treasure of the Sierra Madre (1948)

The Treasure of the Sierra Madre (1948)

[9]

Three desperate men scrape together everything they can muster to go prospecting for gold and discover not just riches, but the destructive greed that comes with them. This is one of John Huston’s finest works, a male bonding adventure that doubles as a dark morality tale. Humphrey Bogart is terrific in the leading role, especially when his character begins turning into the monster of the piece. Outside of film noir, you rarely see protagonists like Bogart’s go evil without the film losing favor with the audience. Maybe we still feel a little sympathy for him because we see his dark potential in ourselves?

The Ghost and Mrs. Muir (1947)

The Ghost and Mrs. Muir (1947)

[9] A young, lonely widow gains her independence by moving into a seaside cottage where she begins a supernatural relationship with the ghost of a crusty sea captain. As the two begin to fall in love, a flesh-and-blood suitor rivals…
Notorious (1946)

Notorious (1946)

[9] Ingrid Bergman and Cary Grant headline this twisted love story from Alfred Hitchcock, about a secret service agent (Grant) who entices an aimless drunk (Bergman) to spy on a group of Nazis gathering uranium in Rio de Janeiro. There's…