[9] Under the precious veneer of the Disney name lie some pretty damned spectacular pieces of motion picture art and Bambi is one of the best. With relatively little dialogue and an abundance of montage, Bambi plays out like a tone poem on rites of passage, death and rebirth. Many a child has been traumatized by Bambi, and rightly so. The death of Bambi’s mother …
[9] Everybody comes to Rick’s, and everyone loves Casablanca. What’s not to like? Humphrey Bogart turns in a commanding performance as Rick, the reluctant American exile who runs a popular nightclub in North Africa during early World War II. He says he sticks his neck out for no one, but he’s really just a softy who had his heart broken by Ingrid Bergman several years …
[10] William Wyler’s portrait of an English family weathering the darkest hours of World War II is a moving drama about hope and persistence. There’s a quiet strength and noble resolve about the characters in this movie that I find utterly disarming. Wyler shows admirable restraint in the direction and storytelling, sidestepping any opportunity to sensationalize the material. One of the greatest scenes in the …
[10] William Dieterle’s adaptation of Stephen Vincent Benet’s The Devil and Daniel Webster is a winning combination of rustic Americana and dark fantasy. A cautionary tale of greed and power, the narrative centers around the character of Jabez Stone (James Craig), a down-on-his-luck farmer who is barely able to support his family in 1840s New Hampshire. When the nefarious Mr. Scratch (Walter Houston) appears during …
[10] John Ford directs John Steinbeck’s Pulitzer Prize-winning tale of a destitute Oklahoma family who pile everything they own into a jalopy and head for California in hope of finding work and a new home. The Grapes of Wrath puts an exclamation point on stories about the Great Depression and the down-trodden. The film features a stellar cast, gorgeous photography by Gregg Toland, and enough …
[10] The day before her second wedding, a priggish socialite (Katharine Hepburn) entangles with her ex-husband (Cary Grant) and a tabloid journalist (Jimmy Stewart), causing an identity crisis that threatens to derail the ceremony. Does she really want to marry a man who sees her as an infallible goddess? Or does she want someone who will let her put her hair down and love her …
[10] Alfred Hitchcock’s first American film and only one to win a Best Picture Oscar is Rebecca, starring Joan Fontaine, Laurence Olivier, and Judith Anderson. Based on the novel by Daphne du Maurier, the film follows a nervous woman (Fontaine) who catches the eye of a wealthy widower (Olivier). After they marry, she is taken to his ancestral mansion, Manderley, where the icy cold head …
[9] Cary Grant and Rosalind Russell headline this quintessential screwball comedy from director Howard Hawks (Bringing Up Baby, Ball of Fire). His Girl Friday is based on a stage play and a previous film adaptation (The Front Page) about a newspaper editor (Grant) who’ll stop at nothing to keep his ex-wife and ace reporter (Russell) from quitting the newspaper business… and their marriage. The pressure …
Copyright © 2024 | Theme by MH Themes