People Will Talk (1951)

People Will Talk (1951)

[6] Cary Grant stars as Dr. Noah Praetorius, a well-meaning doctor and professor who falls for a troubled young woman (Jeanne Crain) while simultaneously dodging a jealous colleague's (Hume Cronyn) perpetual witch hunt. People Will Talk is sweet if you…
Kiss Them For Me (1957)

Kiss Them For Me (1957)

[4]

Cary Grant stars in this post-war feel-good flick about three beleaguered naval officers whose precious 4-day shore leave is threatened at every turn. At first, it’s disappointing to see Grant slumming it in a party movie, but then there’s a little anti-war sentiment that threatens to elevate the material… before ultimately sinking it. Kiss Them For Me is ultimately an overbearing message movie, with Grant’s character repeatedly explaining to lay people and press alike that war isn’t glorious. Maybe the film served an important function counterbalancing war propaganda from the ’40s, but taken on its own, the message gets tedious very quickly. The line should have been drawn after Grant’s first dramatic outburst (a fine moment for him and the movie), and well before a wounded soldier is wheeled out for exhibition, full of hope and oblivious to his terminal diagnosis.

A Face in the Crowd (1957)

A Face in the Crowd (1957)

[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it's now over 50 years old. Andy Griffith stars as "Lonesome" Rhodes, a country singer who becomes a media sensation. As the public fawns over…
The Werewolf (1956)

The Werewolf (1956)

[5] A car crash victim (Steven Ritch) is injected with wolf serum by experimenting scientists and before long, hirsute hijinks ensue. This werewolf flick from prolific B-movie producer Sam Katzman plays up the emotional and psychological angles better than most,…
Sailor of the King (1953)

Sailor of the King (1953)

[7] This nifty WWII naval actioner is slow to start, but after the midpoint it offers an engaging blend of drama and suspense. Jeffrey Hunter (The Searchers) plays Andrew Brown, a signalman in the British navy who survives the sinking…
Room for One More (1952)

Room for One More (1952)

[7]

Cary Grant already has three children and little time alone with his wife (Betsy Drake), but that doesn’t stop her from bringing home a few troubled foster children. Room for One More is a sweet comedy with just enough dramatic heft. Grant (at his droll, beleaguered best) and Drake have some great exchanges, especially after one of their boys inquires where babies come from. Grant draws the figure of a woman in the sand and explains. Drake then comes along and asks what the drawing is.

The Thing from Another World (1951)

The Thing from Another World (1951)

[7]

In this Howard Hawks production, an arctic science team finds an alien buried in the ice, so they bring it back to their facility for closer inspection. Things go awry, the monster gets loose, and before long, all the men are in danger of becoming food for the alien’s progeny. This is a great atomic-age monster movie that well exceeds expectations for the genre and the period it was made.

The Teahouse of the August Moon (1956)

The Teahouse of the August Moon (1956)

[6] An American colonel (Glenn Ford) is tasked with enforcing democracy in a small Okinawan village but slowly begins to embrace the villagers' hedonistic lifestyle in this off-kilter comedy based on the play by John Patrick. It's a sweet and…
Green Mansions (1959)

Green Mansions (1959)

[5] Bizarre, lavish misfire featuring Audrey Hepburn as a jungle girl who falls in love with a political refugee played by Anthony Perkins. The movie's beautiful in a kitschy kind of way, but the story is slow-moving and suffers from…
The 7th Voyage of Sinbad (1958)

The 7th Voyage of Sinbad (1958)

[8]

Sinbad must rescue his wife-to-be from the clutches of an evil sorcerer who takes her away to an island full of dangerous monsters in this ebullient fantasy adventure from director Nathan Juran and pioneering effects artist Ray Harryhausen. Harryhausen’s stop-motion animation combine with Bernard Herrmann’s music to give this romantic adventure wings. You can see and hear the passions of both men in the film, and these achievements pretty much make The 7th Voyage of Sinbad what it is:  sweet, charming, escapist fare for the whole family.Â