1950’s

[5] Lex Barker ends his five-film tenure as Tarzan with a bit of a whimper in Tarzan and the She-Devil. The plot focuses around ivory poachers, lead by Raymond Burr and icy-cool Monique van Vooren, who enslave a peaceful native tribe to do all their grunt work. This installment had the potential for the greatest emotional impact, with Tarzan’s tree-top home burnt to the ground …

[6] Henry Fonda is caught between a beleaguered WWII cargo crew and their vindictive captain in this oddly cheerful, lightweight drama directed by John Ford and Mervyn Leroy. James Cagney hams it up as the nutcase captain while William Powell makes a graceful big screen exit as the ship’s doctor. Jack Lemmon won the first of his two Oscars for his supporting role as an …

[6] On one hand, Arthur Penn’s take on Billy the Kid isn’t as whitewashed as other tellings. On the other hand, why should we care that some hot-headed simpleton ran out and got himself shot? Despite an admirable effort from Paul Newman, I couldn’t quite invest in the character as much as I’d have liked, but the movie still moves at a brisk pace and …

[5] This atomic-age monster movie features a giant octopus that attacks San Francisco. With the help of special effects maestro Ray Harryhausen, the creature topples some skyscrapers and whacks a piece out of the Golden Gate bridge. Unfortunately, the visual effects are the only reason to recommend this flick, which suffers from many of the same ailments you find in other atomic-age fare, including pointless …

[6] This movie version of Irving Berlin’s musical is chintzy fun kept afloat by cartoonish performances from leads Betty Hutton and Howard Keel. Watching the movie at this end of the feminist movement can be frustrating. While Annie Oakley is presented as a strong, brutish character, she ultimately stifles herself to win the love of Frank Butler (Keel). The film is also considered racist for …

[5] Burt Lancaster stars as a conman promising rain for dollars to struggling farmers in the drought-ridden South. He almost gets away with his latest swindle, but burgeoning feelings for one of the farmer’s daughters (Katharine Hepburn) threatens to make an honest man of him. It’s a very atypical role for Hepburn, playing a spinster desperate for a man. But she pulls it off, despite …

[7] If you’ve only seen James Cameron’s telling of the R.M.S. Titanic’s tragic 1912 sinking, you might be surprised how much that film owes to this earlier British version directed by Hammer and Amicus alum Roy Ward Baker (Scars of Dracula, Asylum) — set pieces and shots are eerily similar. A Night to Remember is a fast-paced thriller disaster movie that refrains from easy sentiment …

[5] Paul Newman stars as a lawyer who rises to power through the manipulations of his mother and other socialites. He finally finds his own voice and something worth standing for when an old friend is put on trial for a murder he didn’t commit. Newman is always charismatic, but his character here lacks a strong internal mechanism to move the story forward (at least …

[6] This Rudyard Kipling adventure stars young Dean Stockwell in the title role, playing a sneaky street-wise kid who spies for British Intelligence in colonial India. The adventure is a little more episodic than I prefer, bringing Kim into contact with several supporting players, including an older spy named Red Beard (an underutilized Errol Flynn), a curt hypnotist (Arnold Moss), and a holy man (Paul …

[7] Cary Grant stars as an ex-jewel thief trying to clear his name after precious jewels start disappearing in the French Riviera. This outing for Alfred Hitchcock succeeds more in character than in suspense set pieces, though you’ll get some of that, too. Grace Kelly plays a socialite who falls in love with Grant, even though she suspects him of stealing her mother’s jewels. The …

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