[4] Angela Lansbury and David Tomlinson star in this Disney live-action/animation hybrid about a witch, a conman, and three children who search for the missing ingredient to a spell that could help England during the siege of WWII. Call me cynical and jaded, but I thought this was bargain basement stuff for Disney. I like the historical backdrop and the basic concept, but not the …
[1] A business man tries to capitalize on a town’s frequent Bigfoot sightings by capturing the creature for his own tourist attraction. This would be an awesome movie if it were 1979 and you’d never seen a movie before. Bigfoot is a big white fluffy thing that howls like a cat in heat. The music is the equivalent of Tangerine Dream throwing up. Plus, if …
[7] H.G. Wells (Malcolm McDowell) travels through time to 1979 in hot pursuit of Jack the Ripper (David Warner), who’s hell-bent on continuing his murderous rampage in a whole new century. In the hands of director/screenwriter Nicholas Meyer (Star Trek II: The Wrath of Khan), Time After Time is a solid romantic romp. I like McDowell and Warner in anything, and Mary Steenburgen is fine …
[7] Nazi zombies rise from the sea and prey on a group of youngsters stranded at an abandoned island resort. You either love the sound of that, or you don’t. I dig it. Peter Cushing makes a welcome appearance as the zombies’ former SS commander, and John Carradine plays the crotchety ship captain who unwittingly guides our protagonists to their watery graves. Shock Waves is …
[5] At her sister’s funeral, an eccentric woman meets her uptight nephew and takes him globe-trotting to find an old flame. The combination of the great George Cukor and the ever-acerbic Maggie Smith doesn’t add up to anything compelling in this Auntie Mame wannabe. The screenplay, based on Graham Green’s novel, is distractedly episodic and Smith’s performance is over-the-top even for her. The tone is …
[5] Beautifully shot and slavish to Kubrick’s singular, intentionally off-putting vision, Barry Lyndon follows the circuitous rise and fall of an unscrupulous man through love and war, as he swindles his way into aristocracy and sews the seeds of his own ultimate misfortune. I can appreciate the exercise, creating an immaculate vision so emotionally restrained, it’s almost devoid. But the film is a conundrum for …
[7] A horny teenager and his dog communicate telepathically while wandering a post-apocalyptic wasteland in search of food and women in this adaptation of Harlan Ellison’s novella. The heart of the movie is the antagonistic but loving relationship between its title characters, the human half of which is played by future Miami Vice star Don Johnson. The narrative is loose, ultimately leading to Johnson’s capture …
[7] A gaggle of Oscar-winners go topsy-turvy and fight to survive when a luxury liner capsizes at sea in the trend-setting disaster flick, The Poseidon Adventure. The film delivers on producer Irwin Allen’s desire to blow shit up (think of him as the proto-Michael Bay), but also manages to give its venerable cast plenty to chew on. The characters are engaging and no one is …
[7] Director Sydney Lumet (12 Angry Men, Network) takes on Agatha Christie and delivers a light-hearted soufflé of a murder mystery. I always tend to enjoy ensemble films within a claustrophobic setting, so being trapped on the Orient Express during a blizzard with Lumet’s star-studded cast was a real treat. Albert Finney headlines the venerable collection of stage and screen actors as Christie’s famous detective …
[7] The skeleton crew of an isolated police precinct battle a vengeful street gang that lay siege to the building. John Carpenter (Halloween, The Thing) writes and directs this simple, straight-forward, solidly executed action/thriller, imbuing it with his love of westerns. Carpenter creates likable characters here, particularly in the stalwart police lieutenant (Austin Stoker) and the wise-cracking prisoner (Darwin Joston), the latter of which is …
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