[4] Meryl Streep and Jeremy Irons star in dual roles, as Victorian lovers and the actors portraying them in a film production. The parallel storylines are a tedious gimmick. We’re told half way through the movie that in one story, the lovers will get together and in the other, they won’t. Problem is, I don’t give shit about the characters in either storyline. I love …
[4] A bunch of teenaged waiters at a Jewish kids’ summer camp embark in sexcapades and other whacky shenanigans in this Animal House wannabe. Aside from a charismatic turn from young Dennis Quaid, it turns out to be just another summer camp comedy. You know the kind. Someone puts speed in the cafeteria food, smut in the projector on family film night, and farm animals in …
[8] Oliver Stone’s Platoon was one of the first major motion pictures to deal with the Vietnam war. Charlie Sheen stars as an infantry volunteer who finds himself in a moral quandry, torn between two sergeants of differing philosophies. Tom Berenger and Willem Dafoe give solid, Oscar-nominated performances as the two sergeants, but it’s the director’s voice that comes through most strikingly in Platoon. As …
[6] As the sequel to an almost perfect film, Back to the Future: Part II naturally comes up short. While it lacks the heart and coherence of the first film, it’s wild with ideas and invention, both on screen and behind the scenes. The plot is twisted, thrusting Doc Brown and Marty into the year 2015, then to an apocalyptic alter-1985, and finally back to …
[8] At first sight, you might mistake Footloose for just another teen rebellion movie, but Herbert Ross’ (Steel Magnolias) sensitive direction and committed performances from John Lithgow and Dianne Wiest help the film transcend its genre. The story about a town where dancing has been outlawed sounds ridiculous at first, but screenwriter Dean Pitchford and the cast treat the premise with disarming sincerity. It was a …
[5] As a boy, Harry saw Mommy screwing Santa Claus, which really messed with his brain. As an adult, Harry is obsessed with Christmas. He works at a toy factory, keeps disturbingly close tabs on all the neighborhood children, and has a tendency to go homicidal when people doubt that he’s the real St. Nick. Christmas Evil isn’t violent enough to be a slasher movie …
[8] A boy growing up in 1940’s middle-America tries to convince his parents to get him a Red Ryder B.B. gun for Christmas. It’s hard to judge a movie that has become a holiday tradition. Growing up, I don’t think a single Christmas went by where I didn’t watch A Christmas Story at least one or two times. Seeing it again recently, it has lost …
[2] Thrashin’ is the quintessential bad ’80s movie. There’s an anemic plot involving two warring skateboarding gangs and a boy who falls in love with the sister of a rival gang member. It’s a goofy Romeo and Juliet on tiny wheels, where none of the kids have parents and most of life’s mysteries are answered with a good musical montage. Thrashin’ is really just a …
[5] There was definitely potential. A dark Disney movie based on Lloyd Alexander’s Chronicles of Prydain, about a farm boy’s brave attempt to stop a demonic king from conquering the land with his army of skeletal warriors? Sign me up! Unfortunately, Disney wasn’t willing to go the full mile with PG content (even the current dvd is edited for violence). It didn’t help that their …
[8] A teenager (C. Thomas Howell) picks up a hitcher (Rutger Hauer) in the middle of a rainy night and barely escapes to tell the tale. Unfortunately, that first night’s escape is only the beginning. The hitcher is relentless, pursuing the boy on the open road, framing him for murder, and forcing him to bare witness to his carnage. Hauer is at his psychopathic best …
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