[8] A young boy who can see and hear dead people confides in a child psychologist who comes to believe the boy’s curse is a gift. The strength of The Sixth Sense lies most prominently in the scenes between Toni Collette and Haley Joel Osment. I’m hard-pressed to think of another on-screen mother/son relationship that is more realistic or affecting. Their final scene together, where they …
[6] This ambitious coming-of-age drama stuffs its short running time with a nearly incongruous overview of Ethan Canin’s novel, but at least it skims a provocative surface. The story about love and conflict between two brothers is serviced remarkably well by Nick Stahl and Jerry O’Connell (all buff and sexy after dropping his Stand by Me pounds). Sam Elliott also brings color as a self-righteous …
[8] Kathy Bates delivers a spooky Oscar-winning performance in Rob Reiner’s film based on the novel by Stephen King. Screenwriter William Goldman builds a tremendous amount of tension and suspense with barely more than two characters and one room. The payoff isn’t as interesting as the build-up, but Misery is still a fun, scary ride. James Caan is great as the victimized writer, and deserves …
[3] A detective and a rookie cop team up to find a bad guy. I know. How original. Charlie Sheen gets my nomination for least charismatic performance in a motion picture here. The word “driftwood” comes to mind. The Rookie is hokey in a bad way, probably the worst Eastwood-directed movie I’ve ever seen. The whole thing feels like a studio’s desperate attempt to come …
[7] If you love creature features as much as I do, you’ll enjoy Peter Hyams’ The Relic. Penelope Ann Miller stars as an anthropologist who teams with a cop (Tom Sizemore) to stop a supernatural creature after it wreaks havoc at a Chicago museum event. The monster effects are courtesy of the late, great Stan Winston, the museum setting provides plenty of creepy atmosphere, and …
[7] A rescue team investigates a seemingly abandoned spacecraft that has been inside a black hole and discover that its… well, basically it’s haunted. Sam Neill and Laurence Fishburne star in this haunted spaceship flick that plays like a cross between Alien and Hellraiser. Some nice moments of tension, especially involving airlocks and decompression, but the barrage of ‘is it real or is it imaginary’ …
[6] This film, along with What’s Eating Gilbert Grape, both released the same year, made young Leonardo DiCaprio a star. DiCaprio holds his own against the formidable Robert DeNiro, here playing an abusive step-father. The performances are good, but the story (based on the memoir of author Tobias Wolff) is predictable and protracted. Ellen Barkin is good in a thankless role. Look for Tobey Maguire, …
[5] In the ‘so bad, it’s (almost) good’ category, welcome to Troll 2. When a vacationing family discover a town full of goblins disguised as people, they have to escape before they become goblin food. This is one of the most famously awful movies ever made — a perfect storm of horrible writing, horrible acting, and horrible execution. What really sets the movie apart, though, …
[8] Pixar returns to the toy box for another adventure with Woody, Buzz, and all the other toys who helped make the first Toy Story so memorable. This time around, Woody is kidnapped by a toy collector and the other toys must launch a daring rescue. The sequel is more action-packed, pitting the toys against big city traffic and Buzz Lightyear’s nemesis, Emperor Zurg, before …
[6] Jessica Lange and Elisabeth Shue star in this darkly comedic period piece about a bitter seamstress (Lange) who plots to ruin the lives of her late sister’s husband and daughter after they refuse to accept her into their wealthy family. Things get escalated when Lange’s character finds love in a young artist who eventually falls for her daughter-in-law. Shue plays a bawdy stage performer …
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