[8] Pixar returns to the toy box for another adventure with Woody, Buzz, and all the other toys who helped make the first Toy Story so memorable. This time around, Woody is kidnapped by a toy collector and the other toys must launch a daring rescue. The sequel is more action-packed, pitting the toys against big city traffic and Buzz Lightyear’s nemesis, Emperor Zurg, before …
[6] Jessica Lange and Elisabeth Shue star in this darkly comedic period piece about a bitter seamstress (Lange) who plots to ruin the lives of her late sister’s husband and daughter after they refuse to accept her into their wealthy family. Things get escalated when Lange’s character finds love in a young artist who eventually falls for her daughter-in-law. Shue plays a bawdy stage performer …
[8] This ensemble drama from Big Chill director Lawrence Kasdan is perhaps the most metaphor-laden movie I’ve ever seen. The screenplay (cowritten by Kasdan and his wife, Meg) gets pretentious and overreaching at times, but a well-meaning message and a strong cast do a lot to compensate for it. Kevin Kline, Danny Glover, Mary McDonnell, Steve Martin, Alfre Woodard, Mary-Louise Parker, and Jeremy Sisto are …
[8] Disney goes Broadway in the first animated motion picture ever nominated for a Best Picture Oscar (in the days before they rolled out a separate category for the medium). This version of the classic fairy tale is fueled by power-house songs from Howard Ashman and Alan Menken, memorable characters, and a calibre of design and refined skillsmanship unseen for decades in the studio’s output. …
[7] While I enjoy parts two and three, I have the same general problem with both of them. Why do they exist? The first film tells a complete story, but part two (with its shuffling of prelude and epilogue) plays like an index and part three is very clearly a coda (Coppola even wanted to name it “The Death of Michael Corleone”). However good they …
[5] A young woman (Kathleen Robertson) starts dating two different men, a writer and a drummer (Johnathon Schaech and Matt Keeslar), and can’t give one up, so she invites them to be a threesome. And it works until she falls in love with a third man (Eric Mabius) who has more money and a more promising future. Splendor wants you to fall in love with the …
[7] Mark Wahlberg and Reese Witherspoon headline this taut, engaging thriller from screenwriter Christopher Crowe (Last of the Mohicans) and director James Foley (After Dark My Sweet, Glengarry Glen Ross). Witherspoon plays a high schooler who falls head over heels for the sexy-as-fuck Wahlberg, a former underwear model who is introduced in this movie wearing a shirt pulled so tight across his chiseled body it’s …
[6] In this period piece set in 1950s New England, Brendan Fraser stars as a high school quarterback who gets recruited to a prestigious preparatory school where he must hide the fact that he’s Jewish. School Ties feels desperate to cash in on the unexpected success of Dead Poets Society (they even hired the same composer), but it’s earnest enough to stand on its own, even if …
[4] Mary Lambert returns to direct the sloppy, uneven sequel about new characters who discover the burial ground with resurrection powers from the first film. She’s working with a solid cast that includes uber-baddie Clancy Brown (Highlander, Carnivale), Anthony Edwards, and T2 rising star Edward Furlong. There are a handful of inspired moments in the movie, including some beautiful outdoor cinematography from Oscar-winner Russell Carpenter, …
[6] This made-for-cable fantasy/noir yarn features Fred Ward as a private detective searching for a book of spells in an alternate 1940s Hollywood where monsters and magic are part of everyday life. Think Who Framed Roger Rabbit with magic instead of cartoons. As fantastic as it sounds, the script is fairly conventional and predictable. A major clue hinges on revealing a “she” to be a “he,” …
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