Oz the Great and Powerful (2013)

Oz the Great and Powerful (2013)

[5]

It takes a while for Sam Raimi’s Wizard of Oz prequel to pull its shit together and make you care a little about what’s happening, but the final act’s (digital) pyrotechnics and displays of combative sorcery help pull the movie just barely into the safe zone. The casting leaves something to be desired. James Franco, whom I normally like, is surprisingly bland in a role where he desperately needs to carry the film. He gets better as the film goes, finally reaching his stride as Oz the Great and Powerful makes his thundering debut to the citizens of the Emerald City.

Iron Man 3 (2013)

Iron Man 3 (2013)

[6]

I wasn’t a huge fan of the first two Iron Man movies. A little snarky Robert Downy Jr. goes a long way with me. I like him better when he’s part of an ensemble (like in The Avengers). So while it may be faint praise, I did enjoy this third film in the series most of all.

August: Osage County (2013)

August: Osage County (2013)

[9] I love me some ensemble dramas, and August: Osage County does not disappoint -- even if it does hit a little too close to home for comfort... but then whose life isn't affected by drugs and closeted skeletons these days? Three…
Warm Bodies (2013)

Warm Bodies (2013)

[7] In the great zombie apocalypse, a dead teenager (Nicholas Hoult) falls in love with a human survivalist (Teresa Palmer). Their affection for each other sparks enlightenment among the rest of the freshly dead, while the girl's militaristic father (John Malkovich) and…
Maniac (2013)

Maniac (2013)

[6]

If you wanted to remake William Lustig’s 1980 slasher cornerstone with an abundance of point-of-view shots, you probably couldn’t do a better a job than Franck Khalfoun did with this remake. Maniac is beautiful and imaginative, photographed almost entirely from the killer’s (Elijah Wood’s) point of view. You really only see him in mirrors and other reflective surfaces. On one hand, the conceit is clever and cool, but on the other hand, it ends up being what I’m paying attention to — not the thin storyline or the operatic depiction of its psychologically scarred central character. I think less would have been more where the back story is concerned, and I’m not sure the perpetual POV tactic is the best way to tell this story.

Killer Joe (2012)

Killer Joe (2012)

[9] William Friedkin (The Exorcist, The French Connection) directs this darkly comic trailer trash ensemble piece about a family that conspires to hire a killer to whack their matriarch and collect her life insurance. Matthew McConaughey delivers a tense, frightening, carefully measured…
The Impossible (2012)

The Impossible (2012)

[9] Naomi Watts and Ewan McGregor star in this harrowing true story about a vacationing family torn violently apart by the 2004 tsunami that ravaged Thailand. The natural disaster is recreated in the opening act, seen through the eyes of Watts' character…
Black Swan (2010)

Black Swan (2010)

[8] SPOILER REVIEW: Natalie Portman is incredible in Black Swan, the story of a ballerina who must tap into her 'dark side' to play the Swan Queen in a New York City performance of Swan Lake. Portman's performance is a variation on…
Inception (2010)

Inception (2010)

[8] Dreams are a notoriously difficult thing on which to base a movie. In dreams there are no rules, no parameters -- and in movies about dreams, writers and filmmakers are often all too eager to take advantage of our suspension of…