[5] This belated sequel gets by, for the most part, on good will and fond memories of the previous three installments. It’s light on memorable action scenes and heavy on silliness (the CGI mokeys and gophers are really, really hard to shake). What I really wanted were more special moments between Harrison Ford and Karen Allen. I mean, who didn’t always want to see Indy …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[5] The Russians invade America and spark World War III in this Cold-War emblem from writer/director John Milius (Conan the Barbarian, Big Wednesday). Political correctness aside, the opening of this movie — the Russian invasion — is very effective. But the rest of the movie fails to live up to the promise of its first 10 minutes. It’s fun to see the cast, all of …
[5] A so-so sequel with a few decent action set pieces to offer, but Robert Downey Jr is the real set piece here. Without his snarky persona, the franchise wouldn’t have much to hang their hat on. The biggest weakness here is the lack of a great villain. Mickey Rourke’s vengeful Russian character leaves a lot to be desired and skews the film toward anti-climax. …
[4] Thor features solid direction from Kenneth Branagh, a rousing score from Patrick Doyle, and always stunning set design from Bo Welch. Tom Hiddleston gives the best performance in the film, as Thor’s jealous brother, Loki. No one else, including Chris Hemsworth in the title role, leaves much of an impression. Anchoring the film in utter mediocrity is a script as plain and predictable as …
[5] Batman V Superman: Dawn of Justice feels like a movie with an identity crisis, tasked with performing two disparate, thankless tasks. The first is to set up a big fight between two iconic superheroes. You know, the kind of thing that makes comic book nerds leave sticky puddles in their Underoos. Thing is, for all the wonder you might have about this climactic showdown, …
[7] Ryan Reynolds was born to play a wise-cracking vigilante, and indeed Deadpool comes off a bit like a higher-stakes Van Wilder. The story centers around the origin of the character, how he discovers he has terminal cancer and takes a chance on a scary experiment run by some bad guys who torture him and turn him into a hideously-scarred immortal super fighter. Most of …
[6] Jupiter Ascending is probably the last big-budget studio picture from Andy & Lana Wachowski, the creators of The Matrix trilogy and some other movies that failed to live up to expectation. I admire the Wachowski’s ambition and I appreciate how they always try to push the envelope with content and execution. It’s not always a success, unfortunately. Jupiter Ascending is a huge, epic story …
[6] Pete Travis directs from a script by Alex Garland (Ex Machina, Sunshine) this second attempt to bring the comic book character Judge Dredd to the big screen. This is a smaller-scale production than the 1995 Sylvester Stallone version, but it’s a tighter story with more tonal consistency (no Rob Schneider here, kids). Travis and Garland’s version starts off strong, introducing us to Judge Dredd …
[7] A gaggle of Oscar-winners go topsy-turvy and fight to survive when a luxury liner capsizes at sea in the trend-setting disaster flick, The Poseidon Adventure. The film delivers on producer Irwin Allen’s desire to blow shit up (think of him as the proto-Michael Bay), but also manages to give its venerable cast plenty to chew on. The characters are engaging and no one is …
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