[8] It’s so refreshing to watch heroes and villains who are over the age of 40. Skyfall repeatedly suggests that sometimes older is better, and I couldn’t agree more. Daniel Craig’s third turn as James Bond is at least as good as his first, Casino Royale. Javier Bardem makes an excellent villain and we also get to enjoy Judi Dench in a full co-starring role …
[5] Working from a stale script that comes too late in the Tarantino wake, this dark, violent ‘who’s conning who’ comedy is made tolerable by its flavor-of-the-week casting. If you like Jesse Eisenberg, Danny McBride, and Aziz Ansari (like I do), you’ll find it worth your while. If you don’t, you won’t.
[5] Visually striking but emotionally hollow, Warren Beatty’s film version of Chester Gould’s comic creation is an underwhelming would-be blockbuster. The only character you can get invested in is Madonna’s Breathless Mahoney. Everyone else, including our strong-jawed hero, is as two-dimensional as the comic strip they came from. It’s kinda fun to spot well-known actors in cameos throughout the movie — keep your eyes peeled …
[7] Mel Gibson returns as the iconic Mad Max, joined by Tina Turner in a fun, villainous role. But the third film in the series is also the weakest, first signaled by the PG-13 rating, a ridiculous attempt to make a hard-edged action franchise more family-friendly. The script splits the story into two distinct parts that then converge on each other in the third act. …
[7] An unmanned train is going to crash in a highly populated area unless a conductor and an engineer can stop it. It may be Speed on a train, but as action flicks go, it’s still pretty entertaining. Scenes with Denzel Washington and Chris Pine ‘bonding’ while hurdling toward disaster reek of cliche (so does the subplot involving Pine’s marriage) — but the forced character …
[5] This belated sequel gets by, for the most part, on good will and fond memories of the previous three installments. It’s light on memorable action scenes and heavy on silliness (the CGI mokeys and gophers are really, really hard to shake). What I really wanted were more special moments between Harrison Ford and Karen Allen. I mean, who didn’t always want to see Indy …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[5] The Russians invade America and spark World War III in this Cold-War emblem from writer/director John Milius (Conan the Barbarian, Big Wednesday). Political correctness aside, the opening of this movie — the Russian invasion — is very effective. But the rest of the movie fails to live up to the promise of its first 10 minutes. It’s fun to see the cast, all of …
[5] A so-so sequel with a few decent action set pieces to offer, but Robert Downey Jr is the real set piece here. Without his snarky persona, the franchise wouldn’t have much to hang their hat on. The biggest weakness here is the lack of a great villain. Mickey Rourke’s vengeful Russian character leaves a lot to be desired and skews the film toward anti-climax. …
[4] Thor features solid direction from Kenneth Branagh, a rousing score from Patrick Doyle, and always stunning set design from Bo Welch. Tom Hiddleston gives the best performance in the film, as Thor’s jealous brother, Loki. No one else, including Chris Hemsworth in the title role, leaves much of an impression. Anchoring the film in utter mediocrity is a script as plain and predictable as …
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