[6] Three con artists trick two celebrity athletes into serving as editors for a new ‘Health and Fitness’ magazine. The athletes (Buster Crabbe and Ida Lupino) soon learn they are just figureheads meant to draw credibility and increase circulation for the publication — not to teach America about health or fitness. Instead, the con artists fill the magazine with salacious love stories and suggestive photographs. …
[9] One of the surest ways a film can win my heart is by letting me into the lives of characters aching for healing who achieve genuine, emotional human connection. It’s why I love films like Pump Up the Volume, The Breakfast Club, Sideways, or Little Miss Sunshine. Telling this kind of story convincingly and without too much sentimentality is an astonishingly difficult thing for …
[7] Paul Newman stars as an aging ice hockey coach and player who tries to salvage his team’s careers by leaning into on-ice violence and wrestling-like theatrics, what the players call ‘goonery’. The effort works, leading to a winning streak, publicity, and huge crowds. But when the team’s owner still decides to fold the team for a tax write-off, spirits dive and the championship is …
[6] John Candy and Dan Aykroyd costar as prickly brothers-in-law who try their best to get along after Aykroyd unceremoniously crashes Candy’s planned family vacation. The Great Outdoors was spawned from the ever-prolific pen of John Hughes, coming off a string of hits that included Planes Trains and Automobiles, Ferris Bueller’s Day Off, Weird Science, and The Breakfast Club. (The man was truly a force …
[5] A teenaged underground cartoonist (Daniel Zolghadri) seeks the company of bizarre, questionable characters in the hopes it might inspire his work. He shuns his parents and moves in with a couple of middle-aged men who watch old cartoons in a sweltering basement together. He argues with a doting coworker (Miles Emanuel) at the comic book store, and tries to make a paranoid schizophrenic who …
[4] Michelle Pfeiffer and Lucas Hedges play a rich mother and son who are forced to leave their fancy New York home for a friend’s apartment in Paris when they discover their bank account is nearly empty. Once there, Pfeiffer’s character plans to kill herself when their last dollar is spent, while Hedges’ character pines for the gal he left behind in the Big Apple. …
[7] In Bruges co-stars Colin Farrell and Brendan Gleeson are reunited with writer/director Martin McDonagh (Three Billboards Outside Ebbing Missouri) for this intimate tragicomedy set on a rocky island off the west coast of Ireland in the 1920s. Farrell’s character is a well-liked dullard who discovers one day that his life-long best friend (Gleeson) wants nothing more to do with him. Farrell is naturally upset, …
[6] Jim Parsons (The Big Bang Theory) and Ben Aldridge star in this gay twist on Love Story, based on the autobiographical book by Michael Ausiello. Parsons is the shy, awkward guy and Aldridge plays the cool, outgoing one. Somehow, their unlikely friendship blossoms in New York City over several years. But as the title suggests, tragedy strikes when Aldridge’s character is diagnosed with terminal …
[7] James Stewart plays the son of a Wall Street tycoon whose father (Edward Arnold) is trying to force an eccentric family out of their home so he can pursue a major real estate development deal. Things get more complicated when Stewart realizes the family in question is his fiancée’s (Jean Arthur). You Can’t Take It With You is a quintessential Frank Capra movie, focusing …
[4] Two New York men with commitment issues attempt a relationship, but their own insecurities threaten to prevent anything long-term from developing. Yes, Bros is a big studio gay rom-com, a rarity that would have been cause for celebration thirty years ago. Today, not so much. The film is written by Billy Eichner and Nicholas Stoller (Neighbors, Forgetting Sarah Marshall), with Stoller also directing and …
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