[6] This isn’t a reboot — it’s damn near a paint-by-numbers remake of the 1984 original. But for a remake, it’s not too bad — thanks primarily to the all-female ensemble. While none of the women have a chance to truly soar with the material, they create a camaraderie that pulls the film together. Kristen Wiig and Melissa McCarthy are the more level-headed of the foursome, while Kate …
[5] Two loser brothers are forced by their parents to bring dates to their sister’s wedding. Zac Efron and Adam Devine (mini-Jack Black) play the losers, channeling goofy male leads from every romantic comedy you ever saw. Anna Kendrick and Aubrey Plaza are more interesting as their crude-n-rude chosen companions. Neighbors screenwriters Brendan O’Brien and Andrew Jay Cohen can’t avoid all the pitfalls of narrative rom-coms. We …
[5] A womanizer (Patrick Wilson in the title role) loses his testicles right before being slapped with a paternity suit in this soft comedy. Seeing his situation as his last chance at fatherhood, Barry gets to know his baby mama and alleged wackiness ensues. When serendipity plays such a big part in an otherwise character-driven movie, it can be a tough pill to swallow. I …
[3] There are a couple of Mel Brooks movies that I kinda like, at least a little bit, but for the most part, I don’t get them. The Twelve Chairs is no different. Frank Langella, Ron Moody, and Dom DeLuise are all running around trying to find a chair that has treasure sewn into its cushion. I didn’t care about the chair or its treasure, …
[6] This light-hearted murder mystery isn’t likely to stick in your memory, but should satisfy Errol Flynn fans well enough. Flynn plays an author who writes under a secret identity — so secret even his wife and mother don’t realize it is he who is responsible for a scandalous novel that has recently put polite society up in arms. As life imitates art, Flynn finds …
[6] Errol Flynn and Eleanor Parker star as the divorced parents of a seven-year-old girl who is trying to get the two back together again. It may sound cloying, but the film uses its device exclusively for screwball comedic effect. Memorable sequences include Flynn’s attempt to have dinner with two women at two different tables at the same time, Christmas Eve with two sparring Santas, …
[6] [Warning: This review contains spoilers.] Spike Jonze directs this meta tale of a screenwriter losing his mind trying to adapt a book called The Orchid Thief. While his twin brother moves in and begins mirroring him in many ways, he decides he needs to find the author of the book to excavate its meaning. If you can’t already tell, Adaptation is a very hard …
[7] This film and Top Gun are the ones that really launched the Simpson/Bruckheimer brand of action/comedy that would dominate the box office through the late 80s and 90s. (Even after Simpson’s death in ’96, Bruckheimer is still a top name in action today.) Whether that’s a good or bad thing, I won’t get into. I’ll just say that at least it was a fresh …
[5] Working from a stale script that comes too late in the Tarantino wake, this dark, violent ‘who’s conning who’ comedy is made tolerable by its flavor-of-the-week casting. If you like Jesse Eisenberg, Danny McBride, and Aziz Ansari (like I do), you’ll find it worth your while. If you don’t, you won’t.
[5] A Princeton admissions clerk takes a chance on an ‘alternative school’ kid when she discovers he may be the child she gave up for adoption many years ago. Despite the intrinsic charm of both Tina Fey and Paul Rudd, this movie is neither funny nor romantic, and the stakes are never high enough to keep you from dozing off. The third act, in particular, …
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