[6] Julie Andrews stars in this 1920s madcap musical as the title character, a woman looking to land a job and a husband in the big city, but ends up embroiled with a nefarious white slave trader! Mary Tyler Moore is underutilized as the woman Millie has to rescue from slavery, but Carol Channing chews the scenery in a bizarre Oscar-nominated performance only she could …
[6] Fred Astaire and Ginger Rogers, filmdom’s undisputed dancing duo, are at their apex in Swing Time, directed by George Stevens (is there any genre that man didn’t tackle?) I’m not a fan of old song and dance flicks, but Swing Time is cute enough. The dancing sections are consistently entertaining and technically innovative. My favorite number is one where Astaire dances with three shadows …
[5] This ultra-gitchy flick is probably unlike anything you’ve ever seen before, and that’s normally cause for celebration. But if you’re not into playing video games (like me), the film’s rapid pacing and excessively kinetic style may just leave you plain bewildered. On the other hand, the narrative is so simple that without the quick rhythm and psychedelic interludes, the film wouldn’t be very interesting. …
[8] George Cukor directs from the play by Philip Barry (The Philadelphia Story), giving Katharine Hepburn and Cary Grant a chance to shine in this screwball romance. There’s not a Hepburn/Grant pairing I don’t like, and this one comes with a great supporting performance by Lew Ayres as Hepburn’s sobriety-impaired brother. Grant plays a somewhat Bohemian man who falls in love with a rich socialite …
[8] After impulsively wishing her baby brother away, a teenaged girl must brave a dangerous labyrinth and rescue the tot from a nefarious Goblin King in Labyrinth, the product of a bizarre but winning combination of creative talents. Director Jim Henson reunites with Dark Crystal conceptual designer Brian Froud for a comic fantasy adventure scripted by Monty Python’s Terry Jones. The movie is further energized …
[7] Cary Grant already has three children and little time alone with his wife (Betsy Drake), but that doesn’t stop her from bringing home a few troubled foster children. Room for One More is a sweet comedy with just enough dramatic heft. Grant (at his droll, beleaguered best) and Drake have some great exchanges, especially after one of their boys inquires where babies come from. …
[6] An American colonel (Glenn Ford) is tasked with enforcing democracy in a small Okinawan village but slowly begins to embrace the villagers’ hedonistic lifestyle in this off-kilter comedy based on the play by John Patrick. It’s a sweet and exuberant film, though Marlon Brando’s performance as an Okinawan interpreter earns some notoriety. My favorite scene finds Ford being forcibly disrobed by a geisha girl …
[7] It’s fun to watch Greta Garbo defrost in Ninotchka. She plays an oh-so-serious Russian sent to Paris to straighten out the sale of some allegedly stolen jewels. Melvyn Douglas gets in her way. At first, he’s an annoyance, but a curious one. Her no-nonsense attitude toward him makes for a unlikely cinematic romance. The highlight of their courtship is a restaurant scene where Douglas …
[7] Seth Rogen, Jay Baruchel, James Franco, Jonah Hill, Craig Robinson and Danny McBride play themselves, trapped in Franco’s swanky pad during the Apocalypse in this weird little horror comedy written and directed by Rogen and Evan Goldberg (who also collaborated on the scripts for Pineapple Express and Superbad. As far as I’m concerned, these actors are the closest thing to a sure bet in …
[7] In the great zombie apocalypse, a dead teenager (Nicholas Hoult) falls in love with a human survivalist (Teresa Palmer). Their affection for each other sparks enlightenment among the rest of the freshly dead, while the girl’s militaristic father (John Malkovich) and the long-dead ‘bonies’ push toward annihilation. Warm Bodies messes with zombie lore and strains my suspension of disbelief on numerous occasions, but by the …
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