[8] Two brothers plot to rob their parents’ jewelry store, sending their lives and the lives of their loved ones into a tragic, downward spiral. Sidney Lumet (Network, Dog Day Afternoon) directs his final film with a stellar cast in this melodramatic thriller. Philip Seymour Hoffman plays the scheming brother who holds a grudge against their father, while Ethan Hawke plays the more insecure younger …
[7] Hannibal Lecter is still on the lam (no pun intended) after the events in The Silence of the Lambs, but now there’s another killer who wants to bring him to justice. Ridley Scott (Alien, Blade Runner) directs this time, taking the subject matter into far more operatic territory. Where The Silence of the Lambs showed restraint with violence and gore, Hannibal does not. The …
[3] A detective and a rookie cop team up to find a bad guy. I know. How original. Charlie Sheen gets my nomination for least charismatic performance in a motion picture here. The word “driftwood” comes to mind. The Rookie is hokey in a bad way, probably the worst Eastwood-directed movie I’ve ever seen. The whole thing feels like a studio’s desperate attempt to come …
[7] Robert Rodriquez and Frank Miller join forces, with a little help from guest director Quentin Tarantino, to bring Miller’s much-loved Sin City to the screen. The result is less a film adaptation than a graphic novel come to life. The color palette is restrained, usually resorting to faithful recreations of Miller’s black and white panel work. The hyper-stylized approach works well for a movie …
[8] A family tragedy reunites three men who share a traumatic childhood experience in Mystic River. Sean Penn and Tim Robbins took home richly-deserved Oscars for their performances in this Oscar-nominated best picture from the ever-reliable Clint Eastwood. Mystic River is a gripping, well-paced mystery that employs misdirection and plot twists better than any other film in recent memory. Eastwood is at his directorial best …
[6] Elia Kazan makes a concerted effort to be less ‘theatrical’ and more ‘cinematic’ with Panic in the Streets, a New Orleans thriller about a policeman and a doctor searching the streets for a killer infected with pneumonic plague. Richard Widmark plays the doctor and Paul Douglas plays the cop. They’re forced to work together and begrudgingly do so for a while, but they eventually …
[7] Ingrid Bergman won the first of her three Oscars for this psychological thriller from George Cukor. Bergman plays a woman increasingly traumatized by her husband, a thief who nearly succeeds in convincing her that she’s losing her mind. It’s easy to invest in a movie when someone’s being mean to Ingrid Bergman. I only wish that she were more empowered in the story’s third …
[4] I don’t think a Psycho sequel could ever possibly work, but that doesn’t stop screenwriter Tom Holland from giving it the old college try. The script paints Norman Bates (a returning Anthony Perkins) very sympathetically — reformed, recently released, and ready to start a new life. But someone keeps playing tricks on Norman, leading him to believe his domineering mother is still alive. The …
[3] Robert Altman made his directorial debut with this inauspicious teenaged rebellion romp. Tom Laughlin stars as Scotty, a young guy who just wants to hang with his girlfriend (Rosemary Howard), but her parents intervene to keep them apart. So poor old Scotty does what all grown-ups in 1950s America thought teenagers did: he joins a gang of hoodlums. The girlfriend gets caught up in …
[7] Paul Newman and Robert Redford star in this influential, genre-bending Western about two outlaws who hole up in Bolivia to hide from a pursuing ‘superposse.’ William Goldman’s celebrated screenplay would become the progenitor of countless buddy films for decades to come. Paul Newman has referred to the film as “a love story between two men.” What’s remarkable is that the camaraderie between the two …
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