[7] An unusual sequel of sorts, The Godfather Part II spends equal time in the past and the present, exploring the early life of Vito Corleone (with Robert DeNiro taking over the mantle from Marlon Brando) while also following the continuing story of Vito’s son Michael (Al Pacino reprises his role). Thematically and emotionally, the movie plays like a long and redundant epilogue to the first …
[7] While I enjoy parts two and three, I have the same general problem with both of them. Why do they exist? The first film tells a complete story, but part two (with its shuffling of prelude and epilogue) plays like an index and part three is very clearly a coda (Coppola even wanted to name it “The Death of Michael Corleone”). However good they …
[7] Ben Affleck stars in and directs this drama/thriller about a bank robber who falls in love with the manager at a bank he recently took down while he plans his next heist and evades the FBI. Affleck is a solid director, especially in the film’s heist and chase scenes, but The Town lacks a bit of the tension and thrill found in his earlier films …
[7] James Cagney makes his breakthrough performance as a Chicago street kid who becomes a successful gangster during prohibition. I don’t usually like gangster movies, but director William Wellman (Wings, The Ox-Bow Incident) frames The Public Enemy as a cautionary tale with a moral ending — it doesn’t glamorize the lifestyle like so many more modern movies do. And while I may not relate with …
[6] Kevin Costner stars as a Navy officer who gets enlisted by the Secretary of Defense (Gene Hackman) to get secret information from the CIA about a new Russian submarine project. Both men are sleeping with the same woman (Sean Young), but only Costner knows it. When the Secretary murders Young in a fit of rage, he tries to use Costner to help him cover up …
[6] Ridley Scott directs from a script by Steven Zaillian this true story about a New York detective (Russell Crowe) and a drug lord (Denzel Washington) whose paths cross in the 1970s to expose deep-rooted corruption in the police force. The film balances the screen time between Washington and Crowe’s characters, so we get both the plight of the humble man and the rise & fall …
[5] Director David Mackenzie (Hell or High Water) adapts Alexander Trocchi’s novel about a Scottish drifter (Ewan McGregor) who falls in with a family living and working on a river barge, all while hiding what he knows about an alleged murder being publicized in the local papers. Mackenzie captures a suitably dreary tone for the movie, but it’s a challenging story to get into. McGregor’s …
[8] Michael Mann (Miami Vice, Heat) brings Thomas Harris’ novel Red Dragon to the big screen, introducing movie-goers to Hannibal Lecktor for the first time. Manhunter stars William Petersen (CSI) as an FBI profiler trying to stop a serial killer dubbed ‘The Tooth Fairy’ before he kills again. To stop the mad man, Petersen’s character decides to solicit the help of another mad man — …
[7] Russell Crowe and Ryan Gosling star as private detectives who team up to solve the mystery of a missing porn star in this comedy/action/buddy flick from writer/director Shane Black (Lethal Weapon, Kiss Kiss Bang Bang). Black does a terrific job showcasing the characters in a twisty-turny plot that could easily have bogged things down. Crowe and Gosling have enough charisma and chemistry to make me …
[7] Sidney Poitier plays a black Northern detective who reluctantly aides a white Southern sheriff (Rod Steiger) in solving a murder case. The mystery itself is a bit thin, but it’s bolstered by good performances from the leads and a commendable handling of volatile subject matter. (Though the film takes place in Mississippi, the film’s crew decided to shoot no further south than Tennessee for …
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