[7] Sam Rockwell plays a lone astronaut working at a lunar drilling station in Duncan Jones’ solid feature film debut, Moon. Moon is a story in the classic sci-fi tradition, spurred by Rockwell’s encounter with a mysterious stranger who shatters his understanding of reality. None of the concepts in Moon are especially original or groundbreaking, but Jones’ approach to the material is fresh and sure-handed, …
[4] This is the first miss for Judd Apatow, coming off a string of memorable comedy hits like The 40 Year Old Virgin and Knocked Up. Funny People features the usual array of wacky Apatow characters, but the personality and relationship patterns are disappointingly familiar. Funny People is obviously an attempt to make a deeper, more sophisticated film, but in the end, the only thing …
[8] After finishing The Lord of the Rings, Peter Jackson tackled a remake of his favorite film, King Kong. Jackson’s remake is largely faithful to the 1933 original, while generously expanding the storyline and embellishing some of the characters. Jackson protracts the opening act more than necessary, but his interpretation of Skull Island is amazing. It’s this middle portion of the movie that delivers the …
[7] Montgomery Clift stars as a Tennessee Valley Authority officer tasked with convincing a stubborn old woman to leave her family’s home before implementation of a new dam floods her property. Elia Kazan directs, reuniting with Jo Van Fleet (East of Eden) as the old woman. Much of the film was shot on location and I love the setting, captured in Cinemascope and DeLuxe color. The …
[6] Jack Nicholson directs this slice-of-life story adapted from the Jeremy Larner novel about a obstinate college basketball player (William Tepper) whose pretentiousness almost keeps him from being drafted into professional sports. But the film also centers on two other characters. Karen Black plays Tepper’s girlfriend, a character who can’t decide whether to leave him or stay with him. (Is she confused by the women’s liberation …
[8] To say this movie is an expose on the horrors of war is an understatement and an oversimplification. War is just a backdrop, and the indictment is a broader one of man’s inhumanity to man. What makes Paths of Glory different from other anti-war films is that the injustice comes not from the enemy, but from within. After French soliders refuse a suicide mission …
[5] Ingrid Bergman takes a job as governess to a wealthy family of four sons. Then the mother dies, the stock market crashes, and many years later, one of the boys marries a treacherous slut who threatens to tear the family apart. Ingrid does her best to keep things together, all while falling in love with the father. It’s a bizarre movie. Ingrid is good …
[6] Frank Sinatra plays an unhappy writer and WWII veteran who has trouble readjusting to life in his scenic Indiana hometown. The screenplay, based on a novel by James Jones, gets lackadaisical in the middle, but Vincent Minnelli does a good job capturing both the quaint and stifling qualities of small-town life. Sinatra is good, but he’s easily outshined by his colorful costars. Shirley MacLaine …
[6] Cary Grant plays a wandering Londoner who’s reluctant to settle down. This changes when he discovers his mother, played by Ethel Barrymore, has terminal cancer. Poverty and loneliness drive Grant and Barrymore to desperate measures, and just when you think things can’t get any gloomier, the film ends with foreshadowing of the second world war. None But the Lonely Heart is a dark film, …
[8] Harrison Ford must hide among the Amish after he discovers corruption within his police department. Witness was an opportunity for Ford to show his acting chops, and it remains one of his best performances. This was the first American film made by Australian director Peter Weir (Picnic at Hanging Rock, Fearless). Weir is probably my favorite director. He balances poetic license with elegant restraint …
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