[6] The latest film from Steven Soderbergh (Sex Lies and Videotape) is more of a bait and switch than I would have liked. Based loosely on the real life stripping exploits of star Channing Tatum, the film promises the fun and sizzle of a cheeky male revue. And while there are a good number of hot (and often hilarious) strip-show scenes, the narrative ultimately melts …
[7] Bernardo Bertolucci (The Last Emperor) takes on the intimate tale of an American student (Michael Pitt) who falls into an intense, unusual relationship with French siblings (Louis Garrel and Eva Green). The sexually-explicit escapades earned the film an NC-17 rating, but there’s an underlying sweetness and shared vulnerability in the direction and performances. I love how Bertolucci embellishes the characters’ shared obsession with cinema …
[7] Fans of Drive and Only God Forgives director Nicolas Winding Refn should find his latest effort beautiful and interesting. Outsiders may find it frustrating. Elle Fanning headlines a strong cast, playing an underage model trying to make it big in Los Angeles. She sorta has a boyfriend (Karl Glusman from Gaspar Noe’s Love), and may be attracting same-sex adoration from a makeup artist (a wonderful Jena Malone) …
[6] I know I’m being too kind to this over-produced piece of cheese, but I’d be lying if I said I didn’t enjoy it at least a little bit. It falls short of all previous installments primarily because the justification for fighting this time around is the weakest, and also because the drama is more forced. The Cold War very much influenced the American propaganda …
[7] Rocky Balboa (Sylvester Stallone) tries to slide into a normal life after the events of the first film, but Apollo Creed (Carl Weathers) keeps insisting on a re-match. Rocky II follows closely enough to the narrative of the original movie to be annoying, and a pivotal moment where Adrian (Talia Shire) reverses an important opinion doesn’t sit well with me. But the characters are …
[7] Twins Billy and Bobby Mauch do very well as the title characters in this lavish production of Mark Twain’s oft-told tale of mistaken identity. Claude Rains takes the role of villainy this time, playing an evil Earl who forces the beggar boy to be king for his own selfish gain, while Errol Flynn (at his dashing best) plays the soldier of fortune who helps …
[5] Bette Davis marries Errol Flynn and moves to San Francisco, but their happy marriage begins to disintegrate when he can’t support the couple and turns to drinking. It may be the writing more than the performances, but there’s not much chemistry between Flynn and Davis (who hated each other in real life). The film sticks primarily with Davis’ character, short-changing the subplots revolving around …
[6] Barbara Stanwyck shows up at Errol Flynn’s doorstep claiming to be the wife of his late brother. While he suspects she is a gold digger, she suspects he is abusing his young niece (Geraldine Brooks) and may be hiding an even greater secret. The film throws in a few too many red herrings, but I like that it keeps the characters’ motives and allegiances …
[6] Paul Newman headlines this Robert Wise biopic about real-life boxing champ Rocky Graziano. Ernest Lehman’s smart, well-paced script sees Rocky through several youthful indiscretions that threaten to ruin him just as the lightweight championship comes within reach. Though he had appeared in one other film prior, this is the movie that launched Paul Newman to stardom, and it’s no wonder why — he’s magnetic. …
[5] Marlon Brando is terrific as Marc Antony in the centerpiece scene, rallying Rome to condemn Caesar’s assassins. The supporting cast, sets, Miklos Rozsa’s score, and the cast of thousands are impressive. But I’ll be damned if this movie didn’t have me fighting off sleep on more than one occasion. Maybe I need to see it again later, or maybe James Mason’s voice just puts …
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