[8] David O. Russell directs a top-notch cast in this story of a Massachusetts boxer who tries to get out from under the influence of his crack-addicted brother and domineering mother. If those character descriptions sound like Oscar-bait, indeed they are — Christian Bale and Melissa Leo both took home supporting performer Oscars for their portrayals. Mark Wahlberg is commendable as the main character, and …
[6] Jennifer Connelly plays a woman wrongfully evicted from her home. Before she can go through the proper channels to get it back, Ben Kingsley and his family have already moved in. That’s when The House of Sand and Fog turns into a tug of war between the characters that spirals quickly and tragically out of control. At first, I thought this was going to …
[8] Martin Scorsese unleashes this epic tale of 1860s New York City street battles, with Leonardo DiCaprio starring as a young man with a vendetta against the near legendary Bill the Butcher (Daniel Day-Lewis). See, DiCaprio’s character saw Day-Lewis’s character kill his father in the big opening battle scene, and then DiCaprio’s character goes away for a while. Once he’s of age, he comes back …
[8] Cate Blanchett headlines as the title character in this Todd Haynes (Safe, Far from Heaven) adaptation of a Patricia Highsmith novel. She’s perfect in the role, functioning as the beguiling older woman who catches the curious fancy of a younger woman, played by Rooney Mara. Their cautious, burgeoning relationship is the focus of the film, one under distressing scrutiny from boyfriend and husband characters …
[8] A 14-year-old goes home with a guy in his 30s. What follows is a nightmarish power struggle. Hard Candy is an intense character-driven thriller that succeeds primarily for the incredible performances of Patrick Wilson (Watchmen) and Ellen Page (Juno). The screenplay dives into murky moral waters, asking us to empathize with a young girl who inflicts torture and a grown man who may or …
[5] Sidney Lumet (Network, Dog Day Afternoon) directs the true story of a New York cop seeking redemption for some corrupt deeds. The undercover cop, played by Treat Williams, reluctantly becomes an informant for a special investigatory committee, only to have the committee strong-arm him into ratting out his friends and fellow cops. Williams is all right in the role, but I feel that perhaps …
[7] As a bullied grade-schooler (Devin Brochu) grapples with his mother’s death, an enigmatic stoner bad boy named Hesher (Joseph Gordon-Levitt) bursts into his life and further complicates things. At first, I worried that Gordon-Levitt would slip into show-off mode, but he ends up striking a good balance. Hesher’s presence and function in the movie begs a fantastic interpretation. I choose to think of him …
[6] Prince and his Revolution members all play roles in this rock opera that’s equal parts cheese and cool. If you love Prince’s music (that is, if you have a pulse), that’ll be enough for you to enjoy the movie. It’s basically a concert movie where half the songs are performed and half serve as score behind the loose narrative. The script works best when …
[5] Beautifully shot and slavish to Kubrick’s singular, intentionally off-putting vision, Barry Lyndon follows the circuitous rise and fall of an unscrupulous man through love and war, as he swindles his way into aristocracy and sews the seeds of his own ultimate misfortune. I can appreciate the exercise, creating an immaculate vision so emotionally restrained, it’s almost devoid. But the film is a conundrum for …
[8] The film adaptation of Robert Harling’s play is unabashedly melodramatic, nostalgic, and sentimental. Some of those qualities usually annoy the hell out of me, but the ensemble of great actresses and the slew of memorable one-liners make Steel Magnolias hard to resist. I care less about the dramatic Sally Field/Julia Roberts center story (mother, daughter, wedding, pregnancy, illness, blah) and more about the group …
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