[6] Emilio Estevez and Craig Sheffer star as two high school best friends experiencing a rough transition into adulthood. While Sheffer’s character is falling in love and leaving behind his delinquent ways, Estevez continues down the darker path, dabbling in drugs and antagonizing thugs and police. Estevez adapted the screenplay from S.E. Hinton’s (The Outsiders) novel. The character arcs aren’t as well defined or pronounced …
[5] The disgraced Ivanhoe returns from the Crusades to learn King Richard the Lionheart is imprisoned in Austria. He goes to the court of King John to plea for Richard’s ransom, but King John is pretty keen to keep the throne for himself. So Ivanhoe teams with Robin of Locksley to raise the ransom and restore Richard to the throne. As Ivanhoe, Robert Taylor leaves …
[5] This early Best Picture Oscar winner is a three-hour mix of song, dance, and narrative, much like Broadway Melody before it. I was expecting a real stinker, especially when the opening credits revealed “Fashion Parades by Adrian”. But apart from being overly long and anachronistic, it wasn’t so bad. The narrative is fashioned loosely around the life of Broadway’s legendary Florenz Ziegfeld Jr (the …
[6] Denzel Washington stars in this Robert Zemeckis (Forrest Gump, Back to the Future) film about an airplane pilot who makes a ‘miracle landing’ after a mid-air collision, saving over a hundred lives from almost certain death. But here’s the rub: he’s an alcoholic, and the lawyers are out to frame him for wrong-doing, armed with a toxicology report and three empty bottles of vodka …
[7] The Place Beyond the Pines, from writer/director Derek Cianfrance (Blue Valentine), is a family epic of sorts. The first third of the film follows a low-life motorcycle showman, played by Ryan Gosling, who turns to crime to try and provide for his baby mama and infant son. I dare say this is the best Ryan Gosling performance yet — you really feel for his …
[6] Philip Kaufman (Invasion of the Body Snatchers, The Right Stuff, Quills) directs this adaptation of Anais Nin’s autobiography, about her sexual escapades with Henry Miller and his wife June in 1930s Paris. Movies that turn sex into some sort of transcendental experience leave me cold and bored. If I appreciated the approach more, Henry & June is a fine film with good performances from …
[7] Robert DeNiro stars a mobster who builds a gambling empire in Las Vegas only to see it threatened by relationships with his best friend, played by Joe Pesci, and his loose canon wife, played by Sharon Stone. Martin Scorsese directs and co-wrote the screenplay with novelist Nicholas Pileggi. Casino is the sort of movie that is a little bit interesting to me for it’s …
[2] Glaciers move faster than Robert Altman’s bleak post-apocalyptic drama. The ice-age backdrop is the only interesting thing about Quintet, but it’s completely irrelevant to the story line. Paul Newman plays one of the last survivors of the human race, all of whom hole up and play board games, waiting to die. One group of players ups the ante by wagering people’s lives. Something of …
[6] Christopher Collet plays a tenth-grader whose divorced mother brings a drug-dealing boyfriend home in this drama from Michael Apted (Nell, Gorillas in the Mist). The movie is pretty solid for its first two-thirds, ratcheting up the tension and creating a good deal of empathy for Collet and his little brother, played by the late Corey Haim (his film debut). The last act is a …
[6] Dorothy Malone and Errol Flynn play father and daughter John and Diana Barrymore, real-life members of Hollywood’s famous Barrymore family, both of whom suffered famously from alcoholism. Flynn is very good here in the final noteworthy role of his career. Malone, two years after her Oscar win for Written on the Wind, is hit and miss — less convincing as the younger Diana but …
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