[6] Part ghost story, part wartime propaganda flick, this heady British production is truly an unusual find. Michael Redgrave plays an American lighthouse keeper who has withdrawn from the world. Having lost all faith in humanity, especially in light of the imminent Nazi blitzkrieg, it’s up to the deceased crew of a sunken ship to restore the lighthouse keeper’s faith. Thunder Rock is a very …
[6] John Huston adapts Tennessee Williams’ play for the big screen, and finds big stars to play the parts. Richard Burton and Ava Gardner deliver great performances as a defrocked priest and a jaded hotel owner, both on the verge of nervous breakdowns, who mingle with libidinous guests at Gardner’s jungle inn south-of-the-border. It’s less stagey than most theater adaptations, even though it stays largely …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it’s now over 50 years old. Andy Griffith stars as “Lonesome” Rhodes, a country singer who becomes a media sensation. As the public fawns over him, Rhodes becomes drunk with power and soon sets his sights on the political ring, forcing an ex-lover (Patricia Neal) to attempt revealing to the …
[7] This is the first of at least three film versions of Robert L. Sherwood’s play about an American soldier who falls in love with a Londoner during a World War I air raid, unaware that she is a prostitute. Director James Whale (Frankenstein, The Invisible Man) delivers a solid melodrama with two great lead performers. I was particularly taken with Kent Douglass as Roy. …
[6] An HIV-positive man kidnaps a former fling and forcibly tests him for the virus, ready to exact revenge if the test results are positive. Scott Speedman (Felicity, Underworld) plays the aggressor and James Marsden (X-Men, Enchanted) plays the victim. The film is directed by Tony Piccirillo, who also wrote the stage play on which it is based. The main problem with the film is …
[4] Paul Newman, Eva Marie Saint, and Sal Mineo put their lives on the line to lead hundreds of Jewish refugees into Palestine during the wake of WWII in Otto Preminger’s Exodus. The film has its moments, but for subject matter so ripe with dramatic potential, it’s in desperate need of a solid narrative through-line and more compelling leading characters. Newman is playing a stoic …
[6] Charles Laughton’s performance as Quasimodo is the main reason to see this movie. Laughton gives the deformed bell ringer moments of quiet torment as well as unbridled joy, and without ever going over the top – a remarkable feat that should have earned him an Oscar nomination. I also liked Cedric Hardwicke as the malevolent Frollo and Maureen O’Hara (in her screen debut) as …
[7] Closer features some of the most incredible dialogue I’ve heard in a long time, and the cast are all rock-solid in what boils down to a messy four-way of sexual and romantic entanglement. It’s a slick, polished, elegant film from Mike Nichols (The Graduate, Working Girl, Primary Colors). What keeps me from reveling in such a well made film is the subject matter. Closer …
[6] Paul Newman stars as an alcoholic ambulance chaser who tries to redeem his career with a high profile medical malpractice case. Directed by Sidney Lumet from a script adapted by David Mamet, The Verdict is a solid combination of character study and courtroom drama. Good supporting performances from James Mason, Lindsay Crouse, and Charlotte Rampling. One thing I especially liked about the film is …
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