[6] Ben Stiller gives a career-best performance in Permanent Midnight, based on Jerry Stahl’s autobiographical book of the same name. As Jerry, Stiller plays a Hollywood writer whose heroin habit almost destroys him. Elizabeth Hurley and Maria Bello play romantic interests, while Owen Wilson, Janeane Garofalo, and Fred Willard pop up in supporting roles. While Stahl’s downward spiral is certainly harrowing, complete with endangering the …
[6] Brad Pitt reunites with writer/director Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford), playing a hit man called in by the local crime lords after two young kids take down a big card game that collapses the underground economy. The parallels to the US economy are blatant, complete with recurring clips of Barack Obama and George W. Bush talking about …
[8] In pre-World War II Florence, a group of elitist British dames and a garish American art collector take in a small boy and raise him. When Britain and America enter the war several years later, the young man returns the favor by looking after the women when they’re interned by the Italian police — and helping to smuggle one of them out of the …
[6] Oliver Stone presents his third presidential biopic, this time putting George W. Bush under the microscope. The script by Stanley Weiser (Wall Street) is an ambitious one that sometimes struggles to find its focus, but noticeable emphasis is given to W’s estranged relationship to “Poppy” Bush (George H.W.), his struggle with alcoholism, and his born again faith. As played by Josh Brolin, W. is …
[3] Cocktail is everything awful about calculated ’80s studio film making. It’s as if Touchstone Pictures said, ‘Hey, we have Tom Cruise and a killer soundtrack — quick! Someone write a script!” And that script (based on a book by the screenwriter) throws in everything and the kitchen sink in a desperate attempt to recapture the success of Dirty Dancing, Top Gun, and An Officer …
[7] Dark Blue uses the Rodney King beating as a backdrop in a tale of police corruption. You could almost think of it as a modern version of L.A. Confidential. It’s interesting to see the main protagonist (Kurt Russell) as one of the film’s shadiest characters, which helps distinguish the movie from your average paint-by-numbers thriller. Russell is good in the role. It’s more of …
[6] Part ghost story, part wartime propaganda flick, this heady British production is truly an unusual find. Michael Redgrave plays an American lighthouse keeper who has withdrawn from the world. Having lost all faith in humanity, especially in light of the imminent Nazi blitzkrieg, it’s up to the deceased crew of a sunken ship to restore the lighthouse keeper’s faith. Thunder Rock is a very …
[6] John Huston adapts Tennessee Williams’ play for the big screen, and finds big stars to play the parts. Richard Burton and Ava Gardner deliver great performances as a defrocked priest and a jaded hotel owner, both on the verge of nervous breakdowns, who mingle with libidinous guests at Gardner’s jungle inn south-of-the-border. It’s less stagey than most theater adaptations, even though it stays largely …
[7] Hollywood’s most celebrated melodrama is still entertaining today. Vivien Leigh does a remarkable job playing one of the most volatile heroines in film history. Scarlet O’Hara begins Margaret Mitchell’s story damned spoiled, and I’m not sure she ever really learns her lesson, but Leigh renders a subtle transformation while always remaining true to character. My other favorites are Olivia de Havilland (sweet in everything …
[8] A Face in the Crowd is a surprisingly relevant movie, despite the fact that it’s now over 50 years old. Andy Griffith stars as “Lonesome” Rhodes, a country singer who becomes a media sensation. As the public fawns over him, Rhodes becomes drunk with power and soon sets his sights on the political ring, forcing an ex-lover (Patricia Neal) to attempt revealing to the …
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