[6] Oliver Stone’s epic bio of the Macedonian military legend, like so many pet projects, is a glorious mess of a movie. The screenplay goes back and forth in time, mixing scenes of Alexander’s youth with scenes of his conquests. The result is jarring, never allowing you to get to know the character in any time. The narrative also relies far too much on Anthony …
[4] Paul Newman teams up with Lee Marvin to deliver cattle from Mexico to a shady dealer played by Strother Martin. Newman and Martin are re-teamed here with Cool Hand Luke director Stuart Rosenberg, with a script adapted by Terrence Malick (Badlands, The Thin Red Line). Despite the ingredients, Pocket Money is slow to rev up and ends up going nowhere. For a buddy picture, …
[8] Leo McCarey won the best director Oscar for The Awful Truth, released the same year, but told the Academy they’d awarded him for the wrong picture. He may be right. Make Way for Tomorrow is a disarming, bonafide love story between an elderly couple (Victor Moore and Beulah Bondi) who are forced to separate when the bank forecloses on their home. The film is …
[6] Katharine Hepburn plays a daring aviator, her first starring role, in Christopher Strong. You can see a lot of the attitude and behavior that would later define her career in this early talkie. But the film, directed by Dorothy Arzner, is far from a triumph for feminist viewers. Hepburn’s character begins an affair with a married man and ends up paying the ultimate price …
[5] Bizarre, lavish misfire featuring Audrey Hepburn as a jungle girl who falls in love with a political refugee played by Anthony Perkins. The movie’s beautiful in a kitschy kind of way, but the story is slow-moving and suffers from the lack of any strong characters. Perkins gives a incredibly awkward performance, overacting at times and barely registering at others. Hepburn probably does the best …
[7] It’s fun to watch Greta Garbo defrost in Ninotchka. She plays an oh-so-serious Russian sent to Paris to straighten out the sale of some allegedly stolen jewels. Melvyn Douglas gets in her way. At first, he’s an annoyance, but a curious one. Her no-nonsense attitude toward him makes for a unlikely cinematic romance. The highlight of their courtship is a restaurant scene where Douglas …
[8] Three girls and a teacher mysteriously disappear during a 1900 school picnic at a strange rock formation in this Australian film from director Peter Weir (Witness, Master and Commander). Weir uses his trademark poetic license to suggest a supernatural cause, but don’t look for a firm answers — the film is based on a true story that was never solved.
[8] Director William Wellman took a full year to shoot it and was nearly fired for his perfectionism, but the gamble paid off. Wings was a huge success at the box office and became the first ever Oscar-winning Best Picture. At two-and-a-half hours, it runs a little too long, but it’s well paced and very well acted. The spectacular aerial battle sequences are what the …
[7] Based on the novel Washington Square by Henry James, The Heiress centers around Catherine (Olivia de Havilland), a shy, socially inept young woman who gets swept off her feet by a dashing young destitute (Montgomery Clift). When her father (Ralph Richardson) accuses the man of preying on his daughter’s inheritance, he threatens to cut her off. Putting all her faith in her first love, …
[9] Two Arkansas boys discover a wanted man (Matthew McConaughey) hiding out on an island who needs their help to find his girlfriend and escape a small army of bounty hunters. There’s a resounding echo of Shane here, with McConaughey putting in another fine performance after his career-turning appearances in Magic Mike and Killer Joe last year. (Welcome back, Matthew!)
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