[7] Director John Huston unites Marlon Brando and Elizabeth Taylor for their only screen pairing in this adaptation of the perverse Carson McCullers novel. Brando plays a sexually repressed Army major who turns a blind eye to his wife’s (Taylor) extramarital affair while simultaneously finding himself drawn to a mysterious young cadet who spends his days running naked through the woods and his nights as …
[7] Errol Flynn plays a banker who takes up boxing and makes it all the way to a climactic match against the heavyweight champion of the world. Gentleman Jim is more entertaining than I imagined, thanks to Flynn’s persistent charm and healthy doses of wit and humor. Alan Hale returns to Flynn’s side, this time playing his proud papa, while Alexis Smith takes over the …
[4] Julian Sands and Sherilyn Fenn star in this odd-ball drama about a surgeon who chops off the limbs of his feisty lady love so he can have her all to himself. I appreciate a lot of what writer/director Jennifer Lynch (daughter of David Lynch) is trying to say in her script, especially with Sands’s character, a Freudian mess of a man who is trying …
[7] Cary Grant already has three children and little time alone with his wife (Betsy Drake), but that doesn’t stop her from bringing home a few troubled foster children. Room for One More is a sweet comedy with just enough dramatic heft. Grant (at his droll, beleaguered best) and Drake have some great exchanges, especially after one of their boys inquires where babies come from. …
[6] The lives of tenants at a Berlin hotel interconnect over the course of one day in Grand Hotel, based on the novel by Vicki Baum and produced by the famed Irving Thalberg. With Greta Garbo, Joan Crawford, Jean Hersholt, Wallace Beery, and the Barrymores (John and Lionel), this Best Picture Oscar-winner is regarded the grandfather of star-studded showcases. Despite the star power, the performances …
[5] SPOILER REVIEW I really liked American Beauty when it was first released. Maybe I was wooed by its quirky introspection and aesthetic achievments. Or maybe it was screenwriter Alan Ball’s fresh new way of blending the real with the surreal. Or even the meditative lilt of Thomas Newman’s trend-setting score. But whatever the reason(s), watching the film ten years later, I realize — American …
[6] Oliver Stone’s epic bio of the Macedonian military legend, like so many pet projects, is a glorious mess of a movie. The screenplay goes back and forth in time, mixing scenes of Alexander’s youth with scenes of his conquests. The result is jarring, never allowing you to get to know the character in any time. The narrative also relies far too much on Anthony …
[4] Paul Newman teams up with Lee Marvin to deliver cattle from Mexico to a shady dealer played by Strother Martin. Newman and Martin are re-teamed here with Cool Hand Luke director Stuart Rosenberg, with a script adapted by Terrence Malick (Badlands, The Thin Red Line). Despite the ingredients, Pocket Money is slow to rev up and ends up going nowhere. For a buddy picture, …
[8] Leo McCarey won the best director Oscar for The Awful Truth, released the same year, but told the Academy they’d awarded him for the wrong picture. He may be right. Make Way for Tomorrow is a disarming, bonafide love story between an elderly couple (Victor Moore and Beulah Bondi) who are forced to separate when the bank forecloses on their home. The film is …
[6] Katharine Hepburn plays a daring aviator, her first starring role, in Christopher Strong. You can see a lot of the attitude and behavior that would later define her career in this early talkie. But the film, directed by Dorothy Arzner, is far from a triumph for feminist viewers. Hepburn’s character begins an affair with a married man and ends up paying the ultimate price …
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