[7] Episode III is far and away the best of the Star Wars prequel trilogy. Everything I don’t like about the previous two films remains true, namely that it’s over-produced and the characters aren’t very interesting or engaging. But at least George Lucas and co-screenwriter Jonathan Hale finally cash in on some of the story’s dramatic potential. As the Emperor (Ian McDiarmid in a starring …
[6] Part two of George Lucas’ Star Wars prequel trilogy is still cluttered and over-produced like the previous installment, but it’s a modest improvement over part one, thanks in large part to a solid final act. But man, oh, man, do you have a long tedious slog to get to that third act. Lucas and co-screenwriter Jonathan Hale bank on cross-cutting story lines (ala Empire …
[6] It’s shiny and exciting to look at, a gorgeous smorgasbord of fantastic sets, wardrobe, make-up, and visual effects. But it’s also grotesquely over-produced, almost turning these assets into something garish and distracting. It’s a shame the considerable talents of Liam Neeson, Ewan McGregor, and Natalie Portman couldn’t be put to better use. All three appear insufferably constrained in their roles. Jake Lloyd as young …
[8] A surprisingly effective blend of romance, comedy, and supernatural horror, Ghost stars Patrick Swayze as a murdered man who works through a flim-flam psychic (Whoopi Goldberg) to save the life of his endangered girlfriend (Demi Moore). Ghost became so popular, I think a lot of us take it for granted today. But in the summer of 1990, full of sequels and overproduced action pics, …
[7] Beneath the cutesy veneer of this big-budget family spectacle is a surprisingly morose Ghost and Mrs. Muir subplot. The screenplay is a bit scattershot in its aim, but I have to give this flick major kudos for tackling the subjects of death and loneliness for a family audience. There are a few terrific little scenes between young Christina Ricci and Casper, an ILM confection …
[8] Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) serves up an old-fashioned gothic romance the likes of which we haven’t seen on the big screen since Roger Corman last dabbled with tales from Edgar Allen Poe. Heavily inspired by the Bronte sisters and Hitchcock’s Rebecca, Crimson Peak is the story of Edith, a young turn-of-the-century American woman (Mia Wasikowska) wooed into the dangerous embrace of …
[7] Five disparate stories intertwine in absurd ways in this bizarre but beautifully executed Tarantino-esque flick from Japan. The main story, by a narrow margin, focuses on a man who keeps killing and burying his wife only to find her home again, ready for their next lethal sparring match. Then there’s the exploits of a British hitman (Vinnie Jones) who is obsessed with asking people …
[8] Every spring, I feel jaded when it comes to Hollywood tent pole flicks, and every summer I end up being surprised at how much I enjoy a few of them. Maybe it’s a result of low expectations, or maybe I love monster movies and disaster movies so much, they just have to be pretty shitty before I’ll give ’em the thumbs down. Anyway, I’ll …
[4] William Hurt makes his big-screen debut in this blend of psychedelia and cockamamy psychology based on a novel by Paddy Chayefsky (Network). Hurt plays a college professor of science who experiments with drugs inside isolation tanks to, oh, I don’t know — I think it was to find God or something. Anyway, the experiments actually end up regressing Hurt’s DNA and he slowly turns …
[6] My favorite part of this Avengers sequel is when the bad guy, a robot voiced by James Spader, first pulls himself together and wobbles confidently in front of the superheroes at the end of a house party. It’s a good introduction to a nifty character who says some witty things here and then. (It is a Joss Whedon movie, after all.) Other than that, …
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