[7] A mysterious carnival rolls into town, granting wishes at a sinister cost in Disney’s adaptation of the Ray Bradbury story. I wish the film were more strongly from the perspective of the two leading boys and that their parts were better written. But this is still a pretty entertaining fable that achieves some genuinely spooky moments. Jonathan Pryce steals the show as the carnival’s …
[5] Ewan McGregor and Cameron Diaz star in this odd-ball romance from director Danny Boyle (Trainspotting, Slumdog Millionaire). McGregor plays a janitor whose just been fired and Diaz plays a rich girl rebelling against her father (Ian Holm). McGregor kidnaps Diaz, Diaz suggests they extort her dad for ransom money, and the two begin to have feelings for each other. Meanwhile, the angel Gabriel (Dan …
[7] J.J. Abrams (Lost, Super 8) takes the directing reigns from creator George Lucas and delivers a better film than any of the prequels. Original core cast members join new players in a script co-written by Abrams and Lawrence Kasdan, who penned The Empire Strikes Back and Return of the Jedi with Lucas. The story takes place thirty years after the events of Return of …
[7] Episode III is far and away the best of the Star Wars prequel trilogy. Everything I don’t like about the previous two films remains true, namely that it’s over-produced and the characters aren’t very interesting or engaging. But at least George Lucas and co-screenwriter Jonathan Hale finally cash in on some of the story’s dramatic potential. As the Emperor (Ian McDiarmid in a starring …
[6] Part two of George Lucas’ Star Wars prequel trilogy is still cluttered and over-produced like the previous installment, but it’s a modest improvement over part one, thanks in large part to a solid final act. But man, oh, man, do you have a long tedious slog to get to that third act. Lucas and co-screenwriter Jonathan Hale bank on cross-cutting story lines (ala Empire …
[8] A surprisingly effective blend of romance, comedy, and supernatural horror, Ghost stars Patrick Swayze as a murdered man who works through a flim-flam psychic (Whoopi Goldberg) to save the life of his endangered girlfriend (Demi Moore). Ghost became so popular, I think a lot of us take it for granted today. But in the summer of 1990, full of sequels and overproduced action pics, …
[7] Beneath the cutesy veneer of this big-budget family spectacle is a surprisingly morose Ghost and Mrs. Muir subplot. The screenplay is a bit scattershot in its aim, but I have to give this flick major kudos for tackling the subjects of death and loneliness for a family audience. There are a few terrific little scenes between young Christina Ricci and Casper, an ILM confection …
[8] Guillermo del Toro (Pan’s Labyrinth, Pacific Rim) serves up an old-fashioned gothic romance the likes of which we haven’t seen on the big screen since Roger Corman last dabbled with tales from Edgar Allen Poe. Heavily inspired by the Bronte sisters and Hitchcock’s Rebecca, Crimson Peak is the story of Edith, a young turn-of-the-century American woman (Mia Wasikowska) wooed into the dangerous embrace of …
[7] Five disparate stories intertwine in absurd ways in this bizarre but beautifully executed Tarantino-esque flick from Japan. The main story, by a narrow margin, focuses on a man who keeps killing and burying his wife only to find her home again, ready for their next lethal sparring match. Then there’s the exploits of a British hitman (Vinnie Jones) who is obsessed with asking people …
[8] Every spring, I feel jaded when it comes to Hollywood tent pole flicks, and every summer I end up being surprised at how much I enjoy a few of them. Maybe it’s a result of low expectations, or maybe I love monster movies and disaster movies so much, they just have to be pretty shitty before I’ll give ’em the thumbs down. Anyway, I’ll …
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