[7] Walt Disney was somewhat ahead of his time experimenting with music and animation in Fantasia, an astounding achievement of artistry, craftsmanship, and innovation in animation. I dig Fantasia, but it’s an uneven mix. The host segments do not stand the test of time and it caters to an impossible audience by combining cutsey narrative segments with more abstract ones. The biggest eyesore for me …
[8] A young man’s soul is transferred to a mysterious portrait that bears the decay and debauchery of his lifestyle. The most interesting thing about this Oscar Wilde tale is that you are never told what Dorian Gray’s sins are, though the film adaptation hints at everything from drugs and alcohol to carnal sins with both men and women. Hurd Hatfield plays the icy cold …
[8] Jay Baruchel voices a pre-pubescent Viking who fancies himself a dragon hunter — that is, until he accidentally befriends one of the creatures and dubs him Toothless. That’s when How to Train Your Dragon becomes a romance between a boy and his dragon. I was not prepared for how much I would enjoy this movie — great script, endearing characters, well-choreographed (and sustained!) action …
[7] James Cameron’s first film since Titanic is a supreme juvenile fantasy with a healthy sense of adventure and discovery. From its floating mountains to its bio-luminescent flora and fauna, the world of Pandora never stops unfolding before our eyes, and it’s a beautiful, trippy little place to visit. The core concept of Avatar — that of experiencing life through a separate host body — …
[7] The Muppets have my blessing to reinterpret any piece of literature they want (except maybe Naked Lunch). It’s fun to see which characters are played by which Muppets, and all my favorites are featured in The Muppet Christmas Carol, from heckling critics Statler & Waldorf to gruff Sam Eagle. Michael Caine gives a faithful performance as Scrooge, and a lot of Dickens’ exact lines …
[5] Claude Rains is gold in all his scenes as the god-like Mr. Jordan, but I find the movie’s playfully fatalistic view of love and self-purpose too saccharine to swallow. Robert Montgomery is also good as the deceased boxer who, due to heavenly oversight, gets the opportunity to rejoin the living by possessing the bodies of freshly dead strangers. The film was nominated for several …
[6] When a madman kidnaps the inventor of a lethal ray gun, it’s up to a powerful hypnotist named Chandu to stop the fiend from unleashing the death ray on the world. This is Bela Lugosi in his prime. His performance as the madman Roxan is definitely the best part of this old, Saturday matinee movie. I did not care at all, however, for Edmund …
[7] Young Holmes meets young Watson in prep school and the two solve a mystery involving an ancient Egyptian cult that is killing members of a secret society and sacrificing virgins in ceremony! Unfortunately, the mystery isn’t very engaging and the characterizations are thin. Young Sherlock Holmes still has enough moments of whimsy to keep me amused. I like the many hallucination scenes and the …
[7] A well-structured, lovingly-crafted sword and sorcery flick. Arnold Schwarzenegger, limited as he may be, was born for this role and Basil Poledouris’ score is among the best ever recorded for film. Writer/director John Milius seems rushed at times, but some scenes are extraordinarily polished. I love the first half-hour most of all. The death of Conan’s mother could not be done better. It’s all …
[6] Supergirl is good cheese, one of those ‘so bad it’s good’ kind of movies. You’ve got Faye Dunaway vamping out as a frustrated witch living in an abandoned amusement park, smokey voiced Brenda Vaccaro as her wise-cracking sidekick, a total waste of Peter O’Toole, and a whole bunch of monstrous threats hindered by budget constraints. Take for example Supergirl’s exciting battle with… a tractor. …
Copyright © 2024 | Theme by MH Themes