[7] This vampire flick from the Spierig brothers (Undead) is good old-fashioned B-movie fun. The concept of a world full of vampires on the brink of a blood shortage is interesting, even if the plot goes silly at times. I…
[6] Peter Cushing returns for Hammer's first sequel to their highly successful Curse of Frankenstein. Cushing's mad doctor escapes the guillotine and sets up camp in a new town, where he transplants the brain of his deformed assistant into a…
[6] An army rocket returning from Venus crash lands in the Mediterranean, releasing a Venusian creature that wreaks havoc in Italy. This matinee monster movie is better than most of its kind. The first thirty minutes are surprisingly strong, building…
[4] A mummified prince is discovered and brought to England where someone resurrects it to do their evil bidding. Hammer Films follows up their 1959 remake without stars Christopher Lee or Peter Cushing. Curse of the Mummy's Tomb treads painfully…
[6] A farming town falls victim to an airborne toxin that turns everyone into homicidal maniacs in this remake of George Romero's 1973 original. The film is directed by Breck Eisner (son of former Disney CEO Michael Eisner), and while…
[8] A young boy who can see and hear dead people confides in a child psychologist who comes to believe the boy's curse is a gift. The strength of The Sixth Sense lies most prominently in the scenes between Toni Collette…
[5] Dr. Jekyll (and Mr. Hyde) must be one of the harder characters to pull off in any believable way. So while I admire Paul Massie's bravery, he wasn't quite able to convince me. I think it's primarily because of…
[4] The mystery is paper-thin in this tale of Medusa-like sisters who turn their victims to stone. Peter Cushing and Christopher Lee have precious few scenes together, and neither are on their best game (Cushing's character isn't much to work…
[3] The fourth Saw film isn't nearly as clever as it tries so desperately to be, and the death traps for which the series is so famous are woefully uninspired. The movie also deflates the mystique of its central character,…
[8] Kathy Bates delivers a spooky Oscar-winning performance in Rob Reiner's film based on the novel by Stephen King. Screenwriter William Goldman builds a tremendous amount of tension and suspense with barely more than two characters and one room. The…